Episode 22
Verzuz Recap: A Night of Real Hip Hop with Big Daddy Kane & KRS-One
Real hip hop showed up when Big Daddy Kane and KRS-One squared off on Verzuz, bringing four elements of the culture together on one stage — deejaying, MCing, beatboxing, and b-boying. DJ Sir Daniel and Jay Ray unpack the sonic contrast between Boogie Down Productions' boom bap and Juice Crew's ladies' man appeal, the surprise appearances from Masta Ace, Craig G, Roxanne Shanté, and Mad Lion, and what it meant to finally see peace between the two camps decades after the Bridge Wars. The conversation also connects to ABC's Real Queens of Hip Hop documentary, tracing the overlooked contributions of women like Sha Rock, Sylvia Robinson, and Roxanne Shanté to the genre's foundation.
The Breakdown
- Inside the Big Daddy Kane vs. KRS-One Verzuz and why the sonic pairing worked despite their different styles
- The Bridge Wars history between Boogie Down Productions and the Juice Crew, and whether KRS-One's "Roxanne Shanté" lyric in "The Bridge Is Over" should be revised in 2021
- Roxanne Shanté's Verzuz cameo and her role building the Juice Crew, plus her intergenerational conversation with Lil Mama and Lakeyah from Real Queens of Hip Hop
- Sha Rock, Sylvia Robinson, and the women's history the documentary didn't have time to cover, including the absence of Foxy Brown
- Catalog deep dives on Masta Ace and Digable Planets' "Blowout Comb," plus a happy 50th birthday shoutout to Snoop Dogg
Other References Mentioned
Boogie Down Productions "The Bridge is Over:" https://qpnt.net/rRgAuj
Boogie Down Productions "Jimmy:" https://qpnt.net/7z5TKz
"Not to Pile On, But DaBaby’s Recent Comments About HIV Were Not Just Anti-Black, They Were Anti Hip-Hop:" https://qpnt.net/wVGfJc
DJ Sir Daniel's Earworm of the Week "Big Mama" Roxanne Shante: https://qpnt.net/uHvD9x
Chapter Markers
00:00 How To Support Queue Points
00:45 Intro Theme
00:45 Welcome to the Show
02:33 Weekend Recap: Block Party Adventures
07:06 Introducing the Verzuz: Big Daddy Kane vs KRS-One
08:33 Discussing the Sonic Matchup
10:40 The Art of Freestyling Off the Dome
12:26 Favorite MCs and Nostalgic Highlights
14:30 Fan Moments and Backstage Camaraderie
19:54 The History of the Bridge Wars
20:24 HIV Awareness in Hip Hop: Revisiting 'Jimmy'
23:26 'The Bridge Is Over': Reflecting on the Diss Record
25:31 Should KRS-One Have Changed the Lyric?
27:50 Roxanne Shanté Takes the Stage
31:55 From Verzuz to 'Real Queens of Hip Hop' Documentary
39:14 Sylvia Robinson and Overlooked Legends
44:27 Intergenerational Conversation: Shanté, Lil Mama & Lakeyah
50:43 Happy 50th Birthday, Snoop Dogg
53:52 Spotlight: Masta Ace's Catalog
56:08 Celebrating Digable Planets' 'Blowout Comb'
59:04 Closing Thoughts and Sign-Off
Support Queue Points
Become An Insider: https://link.queuepoints.com/membership
#BigDaddyKane #KRSOne #Verzuz #RoxanneShante #HipHopHistory
Transcript
What's up, everyone?
Jay Ray:It's Jay Ray, the co-host of Queue Points, and one really important way that you
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Jay Ray:Thanks so much for tuning into Queue Points, and thank you
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Jay Ray:Have a great one
Jay Ray:DJ Sir Daniel: Hello, hello, hello and welcome back to
Jay Ray:another episode of Queue Points.
Jay Ray:I am DJ Sir Daniel.
Jay Ray:And I am Johnnie Ray Kornegay III, mostly known by Jay Ray on this show.
Jay Ray:DJ Sir Daniel: That's right.
Jay Ray:And welcome back to another episode of Queue Points, your weekly safe
Jay Ray:space for meaningful chatter regarding Black music and the Black artists
Jay Ray:that we absolutely love around here.
Jay Ray:Jay Ray, how are you doing this week, man?
Jay Ray:Brilliant.
Jay Ray:Um, we got good stuff happening.
Jay Ray:By the time y'all see this show, um, uh, over on CMP we got an interview with
Jay Ray:Kandi Burruss that it … and Victor Jackson that's out, and it's super
Jay Ray:dope, and it's, uh, LGBTQ Spirit Day.
Jay Ray:And, uh, they're cele- they're, they're helping us honor it, so it's really dope.
Jay Ray:It's been a good week.
Jay Ray:DJ Sir Daniel: That's what's up.
Jay Ray:Shout out to Kandi and to Victor.
Jay Ray:Yeah.
Jay Ray:Victor is doing the things.
Jay Ray:I see him all over- Vic-
Jay Ray:Victor is killing it right now.
Jay Ray:DJ Sir Daniel: All over the place.
Jay Ray:And, you know, to know that he and Kandi work hand-in-hand a lot and have
Jay Ray:been friends for so long is really a testament to their friendship and,
Jay Ray:you know, his professionalism, so.
Jay Ray:Yeah.
Jay Ray:DJ Sir Daniel: Sh- shout out to you good folks.
Jay Ray:Well, let's get into- oh, so, um, how was your weekend?
Jay Ray:So my weekend was good.
Jay Ray:It was super busy.
Jay Ray:I had a bunch of stuff to do.
Jay Ray:But now I know that you had a gig.
Jay Ray:So tell us about this weekend's extravaganza, Sir Daniel.
Jay Ray:DJ Sir Daniel: So it was the, the block party.
Jay Ray:There was a, there's an apartment, uh, uh, community here in Atlanta called
Jay Ray:The Skylark, shout out to the people at The Skylark, that, um, have a block
Jay Ray:party to, for, for their community to meet with local vendors, uh, especially
Jay Ray:women who are vendors, um, uh, business owners, to come out and support them and
Jay Ray:to get to know your neighbors, and just a fun activity on a Saturday afternoon.
Jay Ray:Yes.
Jay Ray:DJ Sir Daniel: And so they invited, uh, members of the vi- um, the
Jay Ray:Wax Fundamentals family, which include Peppermint Gaddy and myself.
Jay Ray:So I got, we got to go out there and we got to spin vinyl.
Jay Ray:Mm-hmm.
Jay Ray:But I'll tell you this, we had a, we had a special guest DJ.
Jay Ray:Who was the guest DJ?
Jay Ray:DJ Sir Daniel: The guest DJ was Mother Nature.
Jay Ray:Because, because when I tell y'all this past Saturday may have been the windiest
Jay Ray:Saturday that Atlanta has had, um, since fall has begun in the past year.
Jay Ray:I mean, it was crazy.
Jay Ray:It was so bananas.
Jay Ray:It got so bad, and I, I have a clip here.
Jay Ray:It got so bad that this is just one of the times the wind was blowing, it
Jay Ray:was so fierce that even it blew the record off the turntable and off the
Jay Ray:needle, like in mid playing of a song.
Jay Ray:Like, there was no match for this wind.
Jay Ray:And we had to like, we had to chase down our slip covers several
Jay Ray:times- … because they just, they were just flung off the, um,
Jay Ray:turntables while we weren't using them.
Jay Ray:It was, it was adventurous.
Jay Ray:I, it was a lot of cardio.
Jay Ray:I didn't know I was gonna have that much cardio that day running after everything
Jay Ray:in the street, but I had a great time.
Jay Ray:The set was bar none.
Jay Ray:The set was dope, even though Mother Nature blew my records off a couple times.
Jay Ray:Um, there is some audio that I recorded, audio and video, and I'm chopping it, it
Jay Ray:up into pieces 'cause it's kinda long.
Jay Ray:But, uh, yeah, it was, it was a great experience.
Jay Ray:I love spinning vinyl.
Jay Ray:Um, I love the freedom of creating sets that can go from, that can weave
Jay Ray:seamlessly in and out of genres.
Jay Ray:Mm-hmm.
Jay Ray:And people are just enjoying themselves.
Jay Ray:Um, and yeah, they just enjoy themselves.
Jay Ray:So shout out to, to Peppermint Gaddy- Yes … my Wax Fundamentals family.
Jay Ray:All the, I, my community is so dope.
Jay Ray:My community of friends came out-
Jay Ray:Nice
Jay Ray:… DJ Sir Daniel: to support.
Jay Ray:They, you know, they braved that, that windy weather and stood there and,
Jay Ray:you know, bopped along to the music.
Jay Ray:Uh, shout out to JB's Records, he was out there- Nice … selling records.
Jay Ray:It was a, it was like my folks.
Jay Ray:Yes.
Jay Ray:All my peoples were there.
Jay Ray:And so it was a great, great time.
Jay Ray:And oh, and shout out to my friend, um, uh, she, I think she's listening,
Jay Ray:all the way in Seattle- Angel Tee.
Jay Ray:Hey, Angel.
Jay Ray:DJ Sir Daniel: Angel, Angel and I, let me give y'all a little history.
Jay Ray:Angel and I met working at Sears credit collections and-
Jay Ray:Whoa.
Jay Ray:That's giving Salt-N-Pepa, Herbie Love Bug, Kid 'n Play tease.
Jay Ray:DJ Sir Daniel: Listen, it really is.
Jay Ray:It, we met and we were still, she was, she came to co- to
Jay Ray:go to school here at Spelman.
Jay Ray:And I was at, I believe at, um, DeKalb College or somewhere.
Jay Ray:And we all met, along with some other friends, we all met working
Jay Ray:at Sears Credit in the call center in their collections department.
Jay Ray:And she and I became fast friends.
Jay Ray:We just became like the… I, how, how would you describe this?
Jay Ray:We were Tweedledee and Tweedledum.
Jay Ray:I like it.
Jay Ray:I mean, w- just two chuckleheads.
Jay Ray:Every time you turn around we were laughing at something.
Jay Ray:We were l- we were laughing and giggling at something, and it was
Jay Ray:just so… I had not seen her, I know, in at least 20 years.
Jay Ray:Wow.
Jay Ray:Because she moved back home.
Jay Ray:Mm-hmm.
Jay Ray:DJ Sir Daniel: Um, so shout out to you, Angel, to your,
Jay Ray:to your husband, your family.
Jay Ray:It was great seeing you this past weekend.
Jay Ray:I had an amazing time.
Jay Ray:And absolutely I'm coming back to Seattle and we gotta hang out.
Jay Ray:I love
Jay Ray:DJ Sir Daniel: that.
Jay Ray:So that w- that was my weekend.
Jay Ray:And then the bow, the real bow on my weekend was Sunday night for the
Jay Ray:Big Daddy Kane and KRS-One versus.
Jay Ray:Wow Wow indeed.
Jay Ray:This one, I, I think it- people have been saying this and it
Jay Ray:sounds pejorative, but it's true.
Jay Ray:That was for real hip hop
Jay Ray:It was for real.
Jay Ray:It was for real hip hop.
Jay Ray:Um, I have so many thoughts about this Verzuz.
Jay Ray:Um, but shout out to, and I'm so glad they continued to give love to,
Jay Ray:um, Swizz Beatz, um, for creating a platform that could do this.
Jay Ray:Mm-hmm.
Jay Ray:And, um, I also wanna just give love to Kid Capri and to DJ Scratch for
Jay Ray:really… It was all hip hop won Sunday.
Jay Ray:And I know we've said that a lot about Verzuz, but so many of the elements.
Jay Ray:You had three, at least three, no, you had, like, four of
Jay Ray:the elements really present.
Jay Ray:Mm-hmm.
Jay Ray:Graffiti wa- I mean, yeah, I guess you could consider the
Jay Ray:graphics possibly graffiti, maybe.
Jay Ray:Mm. Um, but you definitely had some beatboxing that was showing up.
Jay Ray:You definitely had deejaying, you definitely had b-boying,
Jay Ray:and you definitely had MCing.
Jay Ray:So wow.
Jay Ray:The
Jay Ray:DJ Sir Daniel: elements were represented.
Jay Ray:The elements
Jay Ray:DJ Sir Daniel: were
Jay Ray:represented.
Jay Ray:DJ Sir Daniel: Absolutely.
Jay Ray:Absolutely.
Jay Ray:It, um, yes, to your point, totally represented.
Jay Ray:We're talking about…
Jay Ray:Okay, so in full disclosure- Mm-hmm … because I know y'all
Jay Ray:like to find tweets and stuff.
Jay Ray:Mm-hmm.
Jay Ray:DJ Sir Daniel: When it was originally announced, and we could pr- we
Jay Ray:could bring it up too, my tweet.
Jay Ray:Mm-hmm.
Jay Ray:When it was originally announced that it was KRS-One versus Big Daddy Kane, I had
Jay Ray:some reservations about the matchup- Yeah
Jay Ray:sonically.
Jay Ray:Mm-hmm.
Jay Ray:DJ Sir Daniel: Like, because when I think about, uh, KRS-One- Mm-hmm … and
Jay Ray:Boogie Down Productions, I think about strict- like strictly a lot of boom bap.
Jay Ray:Boom bap, absolutely.
Jay Ray:A lot of, um, conscious- Mm-hmm … records that they were conscious,
Jay Ray:but they were dope- Right, right, right … so they were ringing off in
Jay Ray:the clubs and ringing off on the radio.
Jay Ray:Right.
Jay Ray:And a lot of them became street anthems.
Jay Ray:So yes, they're d- they're definitely hip hop anthems.
Jay Ray:Yes.
Jay Ray:DJ Sir Daniel: The, the, the deviation for me came with Big Daddy Kane-
Jay Ray:Mm-hmm … who also has his share of boom bap- Yes … has his share of,
Jay Ray:you know, street records- Yep … where he's real- he's, he's talking greasy.
Jay Ray:Mm-hmm.
Jay Ray:You know, and being, you know, the pimp.
Jay Ray:Mm-hmm.
Jay Ray:DJ Sir Daniel: But then there was this, they kinda, they're going on the same
Jay Ray:road, but then they kinda split off.
Jay Ray:They do.
Jay Ray:Because Big Daddy Kane has a lot of records for the ladies.
Jay Ray:A lot of records for the ladies, and he leans into that.
Jay Ray:DJ Sir Daniel: And he leans into that, 'cause o- not for nothing,
Jay Ray:Big Daddy Kane is a sex symbol.
Jay Ray:Absolutely.
Jay Ray:DJ Sir Daniel: There's like a ha- there's like a handful of hip hop sex symbols.
Jay Ray:Mm-hmm.
Jay Ray:And Big Daddy Kane is definitely on the top list of those sex sy-
Jay Ray:those sex symbols in hip hop.
Jay Ray:Yep.
Jay Ray:DJ Sir Daniel: So that's where I was like, "Hmm, is this gonna work?" Yeah.
Jay Ray:You know, when it's… Like, when KRS-One is, might start singing
Jay Ray:The P Is Still Free, but the girls-
Jay Ray:'cause the girls are not ready.
Jay Ray:Mm-hmm.
Jay Ray:And then over here we got Big Daddy Kane doing I Get The Job Done.
Jay Ray:Right.
Jay Ray:So I was like, "Is this gonna, you know, is it gonna work?" But they made it work.
Jay Ray:They did.
Jay Ray:They made it work, and I think a lot of that was due to the e- an element
Jay Ray:of hip hop that is missing nowadays, is that off-the-dome spitting.
Jay Ray:Absolutely.
Jay Ray:DJ Sir Daniel: And KRS-One, bar none, kids, listen up.
Jay Ray:KRS-One is abso- is known, is notorious for going off the head and really
Jay Ray:taking it to people in the crowd.
Jay Ray:Mm-hmm.
Jay Ray:And making, emceeing and making it a part of a interactive experience.
Jay Ray:Yes.
Jay Ray:DJ Sir Daniel: That was part, that was part of hip hop back in the
Jay Ray:day, was making it interactive.
Jay Ray:Shocking people with rhyming about what they had on-
Jay Ray:Yes
Jay Ray:… DJ Sir Daniel: from the stage.
Jay Ray:Because they were like, "Oh, shoot, this not, this is not a song. This is something
Jay Ray:made up right there on the spot."
Jay Ray:Right.
Jay Ray:DJ Sir Daniel: So I think that element of surprise-
Jay Ray:Mm-hmm
Jay Ray:… DJ Sir Daniel: definitely added to the show.
Jay Ray:Yeah.
Jay Ray:For me, um, l- like I said, I enjoyed, um…
Jay Ray:I wasn't sure either.
Jay Ray:Like, I was definitely like, "Eh, I don't know." Here's what I forgot.
Jay Ray:I forgot the way these mens' music made me feel at a particular time in my life.
Jay Ray:Yeah.
Jay Ray:Because we've, hip hop has, hip hop has evolved and changed so much over
Jay Ray:the years that sometimes you forget the feeling that people gave you.
Jay Ray:And so when KRS-One opened his mouth from that stage, I was just like,
Jay Ray:"Oh, yeah, I remember." So for years, KRS-One was like my favorite MC.
Jay Ray:Here's what was so dope- Mm … about this versus Sir Daniel.
Jay Ray:You had-
Jay Ray:At least three of my favorite MCs that showed up on stage in this Verzuz.
Jay Ray:So you had KRS-One, you had Buckshot Shorty, and you had Masta Ace.
Jay Ray:I, my 11-year-old self passed out when Masta Ace and Craig G
Jay Ray:came on and did The Symphony.
Jay Ray:You c- I was standing in this room.
Jay Ray:I was standing up.
Jay Ray:DJ Sir Daniel: Yeah.
Jay Ray:Like, I was like this, this.
Jay Ray:DJ Sir Daniel: Yeah, yeah.
Jay Ray:There was a moment where I was just like, "Wait a minute." It, I, I- 'cause it f-
Jay Ray:for a minute I kinda forgot about that.
Jay Ray:I was like, and mid-show I was like, "Wait a minute.
Jay Ray:Is Kane gonna bring out Masta Ace and Craig G?
Jay Ray:Are they gonna do The Symphony?
Jay Ray:Are we gonna see Kool G Rap?" I did.
Jay Ray:Now, for you- I was hoping to see Kool
Jay Ray:G Rap.
Jay Ray:He wasn't there.
Jay Ray:DJ Sir Daniel: I was- He was not there.
Jay Ray:That was the, that was a, a small disappointment was that-
Jay Ray:Yeah … we did not see Kool G Rap.
Jay Ray:Yeah.
Jay Ray:But yeah, I had the same, I had those same moments, uh, those epiphanies
Jay Ray:when I was like, "Oh, shoot.
Jay Ray:Is he gonna bring out…" When KRS-One brought out, when KRS-One started doing
Jay Ray:Black Cop, I'm not gonna tell you- Yeah.
Jay Ray:I'm not gonna tell you the amount of, of boggling I was doing in
Jay Ray:here when Black Cop came on.
Jay Ray:And then he flipped it and brought out Mad Lion, which- Did
Jay Ray:you take it… Dude, bruh.
Jay Ray:DJ Sir Daniel: Bruh.
Jay Ray:Bruh.
Jay Ray:I was just like, "Oh, no.
Jay Ray:This is everything I love happening right now."
Jay Ray:DJ Sir Daniel: Listen, I had on a Karl Kani vest- … and some, some scuffy
Jay Ray:Tims and some extra long shorts on.
Jay Ray:You couldn't tell me I wasn't, you know, I wasn't Black Copping and,
Jay Ray:and Shoot to Kill all over the place with my two gunshot fingers.
Jay Ray:Like, and you're absolutely right, and this is why we do this show.
Jay Ray:We come from the perspective of talking about the emotional
Jay Ray:connections that we have to these artists- Yeah … and to the music.
Jay Ray:And indeed, I was transported back in the day every, whenever
Jay Ray:they brought, dropped a record.
Jay Ray:It was just, it was amazing.
Jay Ray:I'll tell you one thing that really stood out to me, um, during the Verzuz was
Jay Ray:when they would pan into the audience.
Jay Ray:Mm-hmm.
Jay Ray:DJ Sir Daniel: And some of your faves are standing in the
Jay Ray:audience look- uh, being fans.
Jay Ray:Yeah.
Jay Ray:DJ Sir Daniel: Fans number one.
Jay Ray:Mm-hmm.
Jay Ray:They know, they're like, "I, I'm not a, I'm not, I'm not Jadakiss tonight.
Jay Ray:I'm not Fat Joe tonight.
Jay Ray:I'm not Busta Rhymes.
Jay Ray:I'm a fan.
Jay Ray:I'm standing here flat-footed looking up at the stage reliving those moments
Jay Ray:of Union Square and Latin Quarters watching these men rip the stage."
Jay Ray:And that was so dope to me.
Jay Ray:You could see Swizz Beatz was like a kid in a candy store.
Jay Ray:He was just like, he was geeked out- He was
Jay Ray:… Jay Ray: watching his
Jay Ray:DJ Sir Daniel: favorites.
Jay Ray:He was.
Jay Ray:Like, and, and, and so if I were to pick my like favorite moments, right?
Jay Ray:So you have these men… So there was a moment towards the end of the verses
Jay Ray:where Scratch, who's amazing by the way.
Jay Ray:Mm-hmm.
Jay Ray:Just shout out to DJ Scratch.
Jay Ray:Yeah.
Jay Ray:He was doing his DJ bit, but this particular bit was the suck a DJ bit.
Jay Ray:Mm-hmm.
Jay Ray:And Big Daddy Kane stopped him- Okay … and said, "Don't do that."
Jay Ray:'Cause he was doing a suck a DJ bit, and he scratched in Kid Capri.
Jay Ray:DJ Sir Daniel: Yeah.
Jay Ray:Yeah.
Jay Ray:And Kane, that moment of Black men kind of taking care of one another, like I felt
Jay Ray:like it was something like, "Eh, that's not what I want on this stage tonight.
Jay Ray:Don't do that."
Jay Ray:DJ Sir Daniel: Y- yeah.
Jay Ray:So it was that moment- No, no … that I, that I loved is I felt
Jay Ray:like they were doing that a lot where they would call, you know, Kr- uh,
Jay Ray:KRS-One and Big Daddy Kane, like they would come together on the stage, and
Jay Ray:they would take a moment- Mm-hmm … and they would do a thing, and they would
Jay Ray:love on the people in the audience.
Jay Ray:So that was one thing.
Jay Ray:The s- second, um, there was, uh, the other thing that I really, really
Jay Ray:loved about this, of course, the, the symphony moment was amazing.
Jay Ray:That was like, "Yes, give me, give me more of that, please."
Jay Ray:But, um, just the pureness of it, like these men are over 50.
Jay Ray:DJ Sir Daniel: Yes, indeed.
Jay Ray:Yes, indeed.
Jay Ray:And-
Jay Ray:DJ Sir Daniel: And never missed a beat.
Jay Ray:No.
Jay Ray:And were in- First of all- … their moment
Jay Ray:DJ Sir Daniel: In amazing shape
Jay Ray:Yes
Jay Ray:DJ Sir Daniel: With the best be- breath control than any of your
Jay Ray:current favorites right now.
Jay Ray:Let's just say it.
Jay Ray:Big Daddy Kane got up there and was eating records over 120 beats per minute and
Jay Ray:never missed a beat, never missed a rhyme.
Jay Ray:He never ran out of breath.
Jay Ray:He even got off the stage and, and stood in the audience, all of that.
Jay Ray:KRS-One, come on.
Jay Ray:KRS-One
Jay Ray:is the same exact way.
Jay Ray:You can never skip a beat.
Jay Ray:He did- I mean, there was some, there was some records where I
Jay Ray:think KRS was like, he was really there for like the show show.
Jay Ray:Yes.
Jay Ray:DJ Sir Daniel: Because he was, he would do, he would kind of rap the, the lyrics
Jay Ray:to records- Uh-huh … but he would, he would like stop the beat and then he
Jay Ray:would go into something off the head.
Jay Ray:Yes.
Jay Ray:Because he was really about, "Yo, I want y'all to know-
Jay Ray:Yeah
Jay Ray:… DJ Sir Daniel: what this is really about."
Jay Ray:Yeah.
Jay Ray:DJ Sir Daniel: And I abso- to your point, I absolutely love the moments
Jay Ray:of them loving on each other.
Jay Ray:Mm-hmm.
Jay Ray:There was that one weird moment where you didn't know where Buckshot
Jay Ray:Shorty from Black Moon, because-
Jay Ray:Yeah, I
Jay Ray:DJ Sir Daniel: didn't know where he was going
Jay Ray:when you didn't know where he was going.
Jay Ray:'Cause when he ran after Big Daddy Kane, it was like, what, what you doing?
Jay Ray:Right.
Jay Ray:What, what's, what's going on here?
Jay Ray:Yeah.
Jay Ray:And Kane, and Kane being the OG that he was, was like, stood
Jay Ray:there flat-footed was like- Like,
Jay Ray:yeah.
Jay Ray:It felt like I was like- Yeah … oh, this is like a battle stance.
Jay Ray:Like, let me just see what this is gonna be.
Jay Ray:It's hip-hop.
Jay Ray:DJ Sir Daniel: Right.
Jay Ray:But I, it definitely was not scripted because-
Jay Ray:Yeah … everybody was kinda like-
Jay Ray:I don't know
Jay Ray:DJ Sir Daniel: where this is
Jay Ray:going … what?
Jay Ray:DJ Sir Daniel: Right.
Jay Ray:And the same, and the same thing with Das EFX.
Jay Ray:Like, I think that somebody to, to Ka- to KRS-One's point, Das EFX
Jay Ray:was, like, super happy to be there.
Jay Ray:They
Jay Ray:were.
Jay Ray:DJ Sir Daniel: Right.
Jay Ray:Can we, can we- Who are you?
Jay Ray:Can we shout them out?
Jay Ray:Can we shout out that we got to see Nice & Smooth, we got to see Das EFX.
Jay Ray:Das EFX.
Jay Ray:We got to see Hakeem from Channel Live, who I haven't seen in, like, forever.
Jay Ray:DJ Sir Daniel: We got to see half of Scoob and Scrap.
Jay Ray:We got to see half of Scoob and Scrap.
Jay Ray:DJ Sir Daniel: See, I think y'all miss- I think- I don't think people got…
Jay Ray:Well, people in our age, age group understood the
Jay Ray:whole Scoob and Scrap thing.
Jay Ray:Yeah, yeah, yeah.
Jay Ray:And what Kane, what Kane was trying.
Jay Ray:It didn't… It would've been better if Scoob was there- Yeah … to
Jay Ray:complete, complete the threesome.
Jay Ray:Mm-hmm.
Jay Ray:So they could've done the pyramid thing- Yes … all of the dance moves.
Jay Ray:And Kane could've did
Jay Ray:the jump and the b- and the
Jay Ray:DJ Sir Daniel: fall
Jay Ray:back.
Jay Ray:Yeah.
Jay Ray:DJ Sir Daniel: All of that stuff.
Jay Ray:All of that stuff is just absolutely part of what made these acts amazing.
Jay Ray:We saw Mad Lion.
Jay Ray:Um, rest in peace to Miss Melody- Yeah … you know, who was the matriarch
Jay Ray:of the Boogie Down Productions team.
Jay Ray:Yeah.
Jay Ray:Rest in peace, Scott La Rock.
Jay Ray:Rest in peace- Who was- And rest in peace
Jay Ray:Biz Markie, man.
Jay Ray:DJ Sir Daniel: Biz Markie.
Jay Ray:You know, e- each team, each crew had, has lost members over the
Jay Ray:years, so the… And, and again, and, uh, MC Shan was not present.
Jay Ray:Oh, yeah.
Jay Ray:However- Mm-hmm … however, this is another point that I wanted to make.
Jay Ray:This is why this versus was important.
Jay Ray:Mm-hmm.
Jay Ray:DJ Sir Daniel: It was important to have it because of the history of Boogie
Jay Ray:Down Productions and the Juice Crew.
Jay Ray:Yes.
Jay Ray:DJ Sir Daniel: Bo- Big Daddy Kane, not for nothing, is the, is the
Jay Ray:conduit- Mm-hmm … of peace between Boogie Down Productions and- And
Jay Ray:the Juice Crew … the Juice Crew.
Jay Ray:Yes.
Jay Ray:DJ Sir Daniel: The Juice Crew is infa- and Boogie Down Productions
Jay Ray:had a infamous- Infamous battle … battle back in the day.
Jay Ray:Yep.
Jay Ray:Between KRS-One and MC Shan.
Jay Ray:Mm-hmm.
Jay Ray:DJ Sir Daniel: Then it kind of spilled on over onto members of the rest of the crew,
Jay Ray:which we'll talk about in a little bit.
Jay Ray:Yeah, yeah, yeah.
Jay Ray:So before we get to that, so there's a- another moment- that I didn't
Jay Ray:mention that's really important.
Jay Ray:There was HIV awareness in this Verzus too.
Jay Ray:So Karas One- Yeah … did Jimmy, which is one of the earliest- Yes … HIV
Jay Ray:awareness records in hip-hop.
Jay Ray:It was on, uh, By All Means Necessary.
Jay Ray:Mm-hmm.
Jay Ray:And he dropped Jimmy, and the crowd was rhyming it.
Jay Ray:So people, rappers have been talking about HIV since the very beginning.
Jay Ray:This brother on that Verzus stage dropped his 1988 HIV awareness
Jay Ray:record, and the crowd was rapping it.
Jay Ray:' DJ Sir Daniel: Cause remember you're never too old.
Jay Ray:Yes.
Jay Ray:Jimmy
Jay Ray:DJ Sir Daniel: is raring to go.
Jay Ray:So listen- And it, and it
Jay Ray:DJ Sir Daniel: snaps.
Jay Ray:Yeah, like there is, there is… It's funny, 'cause I listen to
Jay Ray:Jimmy now, and I'm like, "Okay, like the language is a little crazy," but I'm
Jay Ray:gonna hold that it was written in 1988.
Jay Ray:You know what I'm saying?
Jay Ray:Yeah.
Jay Ray:That song in 2021 would sound different, but the fact that it exists and the
Jay Ray:fact that he did it from that stage in front of Black people, a crowd
Jay Ray:of Black folks today, is almost like the antithesis of what DaBaby did
Jay Ray:this past summer that I need to hold.
Jay Ray:'Cause I wrote about this in that piece, um, and I'll drop the link
Jay Ray:too in the chat so when we do th- so when folks watch this, they'll do it.
Jay Ray:But that was another special moment that, um, I wanted to mention from the Verzus.
Jay Ray:Shout out.
Jay Ray:It was just a great time.
Jay Ray:I enjoyed this Verzus.
Jay Ray:DJ Sir Daniel: It was.
Jay Ray:They definitely could've, he could've d- did he… Wait, I think, did
Jay Ray:I miss him doing, um, Super Ho?
Jay Ray:Because Super Ho, for all intents and purposes, was the precursor to, to Jimmy.
Jay Ray:Yeah, he did, um,
Jay Ray:DJ Sir Daniel: yeah.
Jay Ray:And it was kind of, you know- Mm-hmm … it, it, it talked
Jay Ray:about condom awareness and- Mm-hmm … safer sex practices, but yeah.
Jay Ray:But see, yes, you're absolutely right.
Jay Ray:Boogie Down Productions has always been conscious-
Jay Ray:Mm-hmm
Jay Ray:… DJ Sir Daniel: um, regarding everything.
Jay Ray:Um, kind of going back to the moment that we talked about how important this
Jay Ray:was, um, for Boogie Down Productions and- KRS, I mean, and Big Daddy Kane
Jay Ray:to have this versus and to show unity.
Jay Ray:And because Kane kind of alluded in one of his freestyle raps, he was
Jay Ray:like, "Look, you better be glad I stayed out of you and Ka- and MC
Jay Ray:Shan-" "… and Shan's shit." Right?
Jay Ray:Mm-hmm.
Jay Ray:Which alluded to the fact, hey, listen, if I had become a part of that whole diss
Jay Ray:war- … it would've been a real problem.
Jay Ray:Right.
Jay Ray:DJ Sir Daniel: Which is just, which is some hip hop, you
Jay Ray:know, and some hip hop stuff.
Jay Ray:Yeah.
Jay Ray:Talking greasy-
Jay Ray:Mm-hmm
Jay Ray:… DJ Sir Daniel: on the side.
Jay Ray:But it, it got really serious.
Jay Ray:Mm-hmm, it did.
Jay Ray:It was very serious between Shan and KRS-One.
Jay Ray:Yeah.
Jay Ray:DJ Sir Daniel: And which leads me to this moment.
Jay Ray:When I heard, dun-dun, dun-dun, dun-dun, dun-dun.
Jay Ray:I'm not gonna lie, that record always gives me goosebumps.
Jay Ray:Mm-hmm.
Jay Ray:DJ Sir Daniel: Whenever I hear that, that piano chord.
Jay Ray:Yeah.
Jay Ray:DJ Sir Daniel: That dun-dun, dun-dun, dun-dun, dun-dun.
Jay Ray:Mm-hmm.
Jay Ray:I, I immediately get a shiver up my spine.
Jay Ray:Yeah.
Jay Ray:DJ Sir Daniel: Because that, that's a cold, it's a simple beat-
Jay Ray:Yeah
Jay Ray:… DJ Sir Daniel: but that's a cold ass record.
Jay Ray:Agreed.
Jay Ray:It is a cold record.
Jay Ray:It's also one of, it's also the probably one of the heaviest
Jay Ray:diss records in hip hop history.
Jay Ray:Mm-hmm.
Jay Ray:So yeah, we'll have to make sure we drop the link, too,
Jay Ray:for that in the chat as well.
Jay Ray:So yeah,
Jay Ray:DJ Sir Daniel: yeah, yeah.
Jay Ray:The Bridge Is Over was b- KRS-One and Boogie Down Productions- Man … kind
Jay Ray:of like piece de resistance to end the whole, um, Bridge Wars.
Jay Ray:Yeah.
Jay Ray:They called it the Bridge Wars between- Mm-hmm … Boogie Down Productions and
Jay Ray:Queensbridge- Yeah … and MC Shan.
Jay Ray:So to s- I say all of that to s- to ask this.
Jay Ray:Audience members, you tell me.
Jay Ray:Mm-hmm.
Jay Ray:DJ Sir Daniel: It's been 30-plus years.
Jay Ray:Could KRS-One have amended the rhyme, "Roxanne Shante is only good for steady"-
Jay Ray:Mm
Jay Ray:… DJ Sir Daniel: bleeping?
Jay Ray:Mm-hmm.
Jay Ray:DJ Sir Daniel: Could he have done that?
Jay Ray:Should he have done that in 2021, where everybody's, for all intents and purposes,
Jay Ray:everybody's cool with each other?
Jay Ray:Right.
Jay Ray:DJ Sir Daniel: And everybody's having fun and enjoying this.
Jay Ray:It almost was kinda like I, when I, when it was coming, when he came
Jay Ray:to that, to that bridge, and I was like, "Ooh, is he gonna say it?"
Jay Ray:Mm-hmm.
Jay Ray:" DJ Sir Daniel: Is he gonna say it?" And he said it.
Jay Ray:Mm-hmm.
Jay Ray:DJ Sir Daniel: And I was like, "Ooh. Hmm." Kinda, you know, kinda
Jay Ray:took me a, a back a little bit.
Jay Ray:Yeah.
Jay Ray:Your, your thoughts?
Jay Ray:This is hard.
Jay Ray:So I'ma tell you why this is hard.
Jay Ray:Um, my heart says he should change it.
Jay Ray:You know what I'm saying?
Jay Ray:Mm-hmm.
Jay Ray:My heart says he should change it because when something … We talked
Jay Ray:about this actually on our last show when I was talking about, uh, Do Me.
Jay Ray:You know what I'm saying?
Jay Ray:Mm. Where there comes these moments where we have to realize that something may have
Jay Ray:been cool, but we have to make amends.
Jay Ray:So I, I, Johnnie, Jay Ray, would say I'd switch this.
Jay Ray:I'd say something different.
Jay Ray:Mm-hmm.
Jay Ray:You know what I'm saying?
Jay Ray:In 2021.
Jay Ray:Mm-hmm.
Jay Ray:So yeah, that's where I land on it.
Jay Ray:What about you?
Jay Ray:Where do you land?
Jay Ray:Hmm.
Jay Ray:And I, and I'm gonna say something else too.
Jay Ray:It ain't h- it wouldn't be hip hop.
Jay Ray:I mean, this is what hip hop is as well, but we also at 50
Jay Ray:can change what hip hop is too.
Jay Ray:So I wanna say that as well.
Jay Ray:DJ Sir Daniel: Yeah.
Jay Ray:I agree.
Jay Ray:So I'm, I'm s- I'm split on it as well.
Jay Ray:Mm-hmm.
Jay Ray:Part of me was like, "Ooh, that it really sounds…" It, the optics and
Jay Ray:the sonically it sounds so harsh-
Jay Ray:Yeah
Jay Ray:… DJ Sir Daniel: and it's 2021.
Jay Ray:T- and, and her whole name is called out.
Jay Ray:Yeah.
Jay Ray:DJ Sir Daniel: And it, and Shante will tell you that there was
Jay Ray:a moment in her life where she fell out of love with hip hop.
Jay Ray:Mm-hmm.
Jay Ray:DJ Sir Daniel: And we'll talk about this even m- uh, more.
Jay Ray:Mm-hmm.
Jay Ray:DJ Sir Daniel: When she fell out of love with hip hop because she was a punchline-
Jay Ray:Yeah
Jay Ray:… DJ Sir Daniel: to a lot of men, especially in the industry.
Jay Ray:And so, yeah, so that, that made it kinda hard.
Jay Ray:But at the same time, I was like, "Oh, they gonna bring my girl out." They, this
Jay Ray:is- And- … this is about to happen.
Jay Ray:This is about to happen.
Jay Ray:So they're, they're gonna bring my girl out, and she, the music is
Jay Ray:gonna stop, and she's gonna, like, completely go obliterate him- Mm-hmm
Jay Ray:because that's what they did back in the day.
Jay Ray:Right.
Jay Ray:DJ Sir Daniel: And so the music stop, they talked, and I was
Jay Ray:like, "Ah." You know, I was kinda like, "Ah, it's not gonna happen."
Jay Ray:Mm-hmm.
Jay Ray:DJ Sir Daniel: But then Kane turned around and said, "Hold up."
Jay Ray:Right.
Jay Ray:DJ Sir Daniel: "Let me bring my queen out here."
Jay Ray:Yeah.
Jay Ray:DJ Sir Daniel: You woulda thought I was… You, you ever see the f- the
Jay Ray:footage of the w- of the g- little girls screaming in the oh, in the '50s and
Jay Ray:'60s when The Beatles came on the stage?
Jay Ray:Yes.
Jay Ray:You would, you woulda thought I was one of those little girls the way I hopped
Jay Ray:out of my seat and screamed in this house.
Jay Ray:I was like, "Oh, sh- ah." Yeah.
Jay Ray:And, and sure enough, she came, Roxanne Shante came down the stage.
Jay Ray:Yeah.
Jay Ray:And her and Big Daddy Kane on stage for- Oh … to spit a bar.
Jay Ray:He, and absolutely to his credit, he gave her props and said, "Listen.
Jay Ray:Nowadays it's the men-
Jay Ray:Mm-hmm
Jay Ray:… DJ Sir Daniel: are put on and become famous, and then per- bring out a woman-
Jay Ray:Yep
Jay Ray:DJ Sir Daniel: and put her on and make her famous." Not the case for the Juice Crew.
Jay Ray:Right.
Jay Ray:DJ Sir Daniel: This little girl- … at 14 years old came and opened the
Jay Ray:door, and opened, and created the platform of the Juice Crew- Yep … and
Jay Ray:brought in Biz Markie- Mm … Run and Big Daddy Kane- Mm-hmm … MC Shan-
Jay Ray:Yeah … Marley Marl, uh, Masta Ace, Craig G, and created the Juice Crew.
Jay Ray:And all of them- He said it himself.
Jay Ray:He did.
Jay Ray:All of them consequently got their own deals after becoming affiliated
Jay Ray:and brought together by, because of Roxanne Shante, which I thought
Jay Ray:was, that probably was one of the- Yeah … best moments of the night.
Jay Ray:Absolutely.
Jay Ray:I h- ooh, having her… I, I, I re- I felt so happy for, for, for her, and I
Jay Ray:ha- felt happy for hip-hop in that moment.
Jay Ray:Mm-hmm.
Jay Ray:Because it truly was.
Jay Ray:So it vindicated, so now going back to the question that you originally
Jay Ray:asked, um, that made it, it felt good.
Jay Ray:It just really- Yeah … felt good.
Jay Ray:And, um, shout out to Big Daddy Kane for taking that moment, 'cause
Jay Ray:she could have easy- he could have easily let her leave the stage.
Jay Ray:After she landed and Shante's voice cuts through all of the
Jay Ray:noise, which is- All of it
Jay Ray:fascinating to me.
Jay Ray:It's that right pitch of you shut up when she's rapping.
Jay Ray:DJ Sir Daniel: It's, it's definitely that, it's definitely the voice of
Jay Ray:a girl that carry in the projects.
Jay Ray:Uh, we all know that girl- … in the, in the projects, in the apartment complexes.
Jay Ray:Her voice carries.
Jay Ray:Mm-hmm.
Jay Ray:DJ Sir Daniel: You know that girl.
Jay Ray:Her voice carries.
Jay Ray:It's, it, it's not, it may not be the, it's not the heaviest.
Jay Ray:Mm-hmm.
Jay Ray:DJ Sir Daniel: It's, it's, it's kinda pitchy, it's kinda high pitch,
Jay Ray:but at the same time it's, it's got that edge to it and it's serious.
Jay Ray:You're absolutely- Yeah … right.
Jay Ray:Yeah, man.
Jay Ray:She's like.
Jay Ray:That's always, that's been part of her superpowers is that voice.
Jay Ray:Yeah.
Jay Ray:And I, yes, that was definitely one of the best moments of the verses.
Jay Ray:So hats off to Swizz and Tim for this one, 'cause that really, it
Jay Ray:made us old heads feel real good.
Jay Ray:Yeah.
Jay Ray:We, you know, I had a really good time watching it and just, you
Jay Ray:know, living out those moments of wanting to see people like that.
Jay Ray:He brought out DJ Red Alert.
Jay Ray:He, Red Alert was on stage.
Jay Ray:DJ Sir Daniel: Performing the bridge with him.
Jay Ray:That was, yeah, that was dope.
Jay Ray:I wish, I wish Marley Marl could've been there, you know?
Jay Ray:Yeah.
Jay Ray:Marley, I was l- I was looking for Marley, and Marley wasn't there, um, as
Jay Ray:DJ Sir Daniel: well.
Jay Ray:And rest in peace, rest in peace Mr. Magic.
Jay Ray:Mr. Magic- Yeah … was very-
Jay Ray:Yep
Jay Ray:… DJ Sir Daniel: very instrumental in that whole- Yep
Jay Ray:Juice Crew-
Jay Ray:Mm-hmm
Jay Ray:… DJ Sir Daniel: you know, um, creation as well.
Jay Ray:So kids, l- if you don't know any of these names that we're saying, look 'em up.
Jay Ray:Look 'em up,
Jay Ray:man.
Jay Ray:They're very important people.
Jay Ray:Listen.
Jay Ray:Yeah.
Jay Ray:There's, um-
Jay Ray:Oh, I had a point, and it was around… I can't remember the point, though.
Jay Ray:We can move on.
Jay Ray:Okay.
Jay Ray:I'ma leave this in.
Jay Ray:DJ Sir Daniel: So this has been… So imagine going from Sunday to Monday night.
Jay Ray:This has been like the, a, a week, a week for hip-hop.
Jay Ray:Yes.
Jay Ray:DJ Sir Daniel: Like, literally, because you and I kind of… Well,
Jay Ray:we talked about this off air, but we were both geeked because ABC-
Jay Ray:Mm-hmm
Jay Ray:… DJ Sir Daniel: had been pro- um, promoting this great documentary-
Jay Ray:Yep … called The Real Queens of Hip Hop.
Jay Ray:Mm-hmm.
Jay Ray:DJ Sir Daniel: And I was, the trailers had me super geeked because,
Jay Ray:one, they had our girl on there.
Jay Ray:Yeah.
Jay Ray:Rock singer Dante.
Jay Ray:And I was like, "You can't have this without having her there."
Jay Ray:Right, right.
Jay Ray:DJ Sir Daniel: But to, to, to take it to another level, we saw Em- we saw Sha Rock.
Jay Ray:Sha Rock is sitting down for an interview on national t- i- national TV.
Jay Ray:DJ Sir Daniel: So shout out to, what are the producers' names again?
Jay Ray:Fatima- Mm-hmm.
Jay Ray:I'm pulling their names right now.
Jay Ray:Uh,
Jay Ray:DJ Sir Daniel: wait.
Jay Ray:Um… The produ- Fatima Curry.
Jay Ray:Uh-huh.
Jay Ray:DJ Sir Daniel: Shout out to Fatima Curry and Mallia Patrea-
Jay Ray:Yep
Jay Ray:… DJ Sir Daniel: over, over at ABC-
Jay Ray:Mm-hmm
Jay Ray:… DJ Sir Daniel: for, for making that happen.
Jay Ray:Yeah.
Jay Ray:DJ Sir Daniel: For, you know, for putting this documentary regarding
Jay Ray:hip-hop, regarding, uh, uh, the, the nucleus, the, the DNA.
Jay Ray:The DNA of hip-hop is not complete without the women.
Jay Ray:Yeah.
Jay Ray:DJ Sir Daniel: And as, listen, as a female rap fanatic, those who know me,
Jay Ray:this show is super important to have.
Jay Ray:Yes.
Jay Ray:DJ Sir Daniel: Um, not only just for fans, but for them.
Jay Ray:Yep.
Jay Ray:It was super important.
Jay Ray:Sha Rock, can you imagine, Sha Rock was 17 years old when she and the Funky Four
Jay Ray:Plus One were on Saturday Night Live.
Jay Ray:Isn't that nuts?
Jay Ray:That's nuts.
Jay Ray:DJ Sir Daniel: And, but then, but Sunos found out that she was pregnant.
Jay Ray:Right, and in
Jay Ray:DJ Sir Daniel: pain.
Jay Ray:And terrified.
Jay Ray:And terrified.
Jay Ray:Terrified because she didn't, the crew, she was pregnant- Mm-hmm … and the
Jay Ray:crew was like, "What are you doing?"
Jay Ray:Right.
Jay Ray:" DJ Sir Daniel: We're about to, we're about to blow up, and you're pregnant?"
Jay Ray:You know, that's, that's the fear I think a lot of people have when
Jay Ray:it comes to women, um, in music, is the fact that they can get pregnant.
Jay Ray:And a lot of people feel like pregnancy, especially back then, was a handicap.
Jay Ray:Oh, God.
Jay Ray:Yeah.
Jay Ray:We have done… That, once again, illustrated the challenges of women, and
Jay Ray:we've talked about it a lot on this show.
Jay Ray:And, um, this documentary brought it up again.
Jay Ray:Like, it brought it up again.
Jay Ray:Yeah.
Jay Ray:Um, yeah.
Jay Ray:Um, happy that this happened.
Jay Ray:This needed to happen.
Jay Ray:This docu- this documentary needed to happen.
Jay Ray:DJ Sir Daniel: It did.
Jay Ray:I think one of the, um, another dope moment, we were just
Jay Ray:talking about Roxanne Shanté.
Jay Ray:Yeah.
Jay Ray:DJ Sir Daniel: And if it feels like she got vindicated on two nights.
Jay Ray:Mm-hmm, yep.
Jay Ray:DJ Sir Daniel: She had that moment with Kane on Verzuz, and then
Jay Ray:the following night on, on this Queens of, Real Queens of Hip Hop.
Jay Ray:Mm-hmm.
Jay Ray:DJ Sir Daniel: She was able to tell the story, like, Mama was literally sabotaged
Jay Ray:at the New Music Seminar on purpose.
Jay Ray:And we know who it was because they, they said- Yeah … it's, it's,
Jay Ray:it's a matter of public record.
Jay Ray:Yeah.
Jay Ray:DJ Sir Daniel: But she did not repeat their names.
Jay Ray:Nope.
Jay Ray:DJ Sir Daniel: Because, because they're, they're all respectful,
Jay Ray:they're all family- Yeah.
Jay Ray:Yeah … friends at this point.
Jay Ray:But literally was told, "Yeah, I'm sorry. You, we know that you rocked it.
Jay Ray:We know that you rocked everybody that came up here, you battled everybody
Jay Ray:and you won, but we can't have you represent hip-hop right now." Mm-hmm.
Jay Ray:"You can't be, you can't be the, h- hold the title of world supremacy
Jay Ray:MC because you're a little girl."
Jay Ray:Because, dude- That's wild … we just be wildin'.
Jay Ray:Patriarchy is the worst.
Jay Ray:DJ Sir Daniel: Patriarchy is wild, man.
Jay Ray:That sh- It's, it's wild.
Jay Ray:Especially
Jay Ray:when
Jay Ray:DJ Sir Daniel: you buying into it.
Jay Ray:When you buy into it like that and know when the words come out of like,
Jay Ray:"Yeah, we know, but we can't have you be the one right now. It's too early."
Jay Ray:DJ Sir Daniel: Ain't that crazy?
Jay Ray:We need a dude to be- That's crazy … we need a dude.
Jay Ray:Imagine, okay, let's, let's play devil, uh, let's play advo- let's
Jay Ray:play, let's flip this, right?
Jay Ray:DJ Sir Daniel: Mm-hmm.
Jay Ray:What might hip-hop have looked like if Roxanne Shante was the
Jay Ray:hottest MC out in 1980, was that '85?
Jay Ray:' DJ Sir Daniel: 85.
Jay Ray:What would hip-hop look like today if Roxanne Shante was
Jay Ray:allowed to be the hottest thing out?
Jay Ray:That woulda changed a lot of the trajectory
Jay Ray:DJ Sir Daniel: Who knows what contracts would've looked like?
Jay Ray:Yep.
Jay Ray:DJ Sir Daniel: Who knows what writers would've looked like?
Jay Ray:Yeah.
Jay Ray:What world tours would've looked like.
Jay Ray:You just never know.
Jay Ray:Who else would've been able to walk through the door?
Jay Ray:We just getting a Lil Nas X in 2021.
Jay Ray:If we were able to have a Roxanne Shante be the hottest thing out in
Jay Ray:1985, who knows who else could've walked through the doors sooner?
Jay Ray:Be- we just be like, man.
Jay Ray:But to your point, Sir Daniel, I feel like having her be
Jay Ray:able to, one, tell her story.
Jay Ray:Having Sha Rock and her be able to tell that story-
Jay Ray:DJ Sir Daniel: Yeah
Jay Ray:… Jay Ray: from their perspective, you can't, you can't beat that.
Jay Ray:DJ Sir Daniel: You can't beat that.
Jay Ray:Um, it was very important to have women from that era-
Jay Ray:Mm-hmm
Jay Ray:DJ Sir Daniel: especially as Sha Rock.
Jay Ray:Because with Sha Rock there was a, there was Pebbles and Pooh-
Jay Ray:Mm-hmm
Jay Ray:… DJ Sir Daniel: the Mercedes Ladies- Mm-hmm … Lisa Lee, MC Debby B- uh,
Jay Ray:Debby D- Mm-hmm … of the Us Girls.
Jay Ray:Um, a lot of them really didn't, now shout out to the Us Girls,
Jay Ray:they appeared in Beat Street.
Jay Ray:Mm-hmm.
Jay Ray:DJ Sir Daniel: You know, which was major for a female rap
Jay Ray:group to appear in a movie.
Jay Ray:Yeah.
Jay Ray:DJ Sir Daniel: But a lot of them didn't have that voice, you know.
Jay Ray:Mm-hmm.
Jay Ray:Sparky D and the Playgirls.
Jay Ray:Yep.
Jay Ray:This, there's a list that goes on.
Jay Ray:And, um, I think that might have been part of, I don't know, may- an hour didn't seem
Jay Ray:like it was enough for this documentary.
Jay Ray:Because- That thing was moving at the speed of light.
Jay Ray:That thing was moving so fast, and I know y'all, y'all only had a hour.
Jay Ray:And you know what?
Jay Ray:And, and, and, and, and I am going to, I'm gonna love on the, the, the,
Jay Ray:the production team for a second.
Jay Ray:Maria.
Jay Ray:Because when I think about it as we're ta- having this conversation, they had
Jay Ray:literally an hour to- Yeah … get as much history about women in hip-hop
Jay Ray:as you can get, when the reality is you can do a, an entire docuseries
Jay Ray:that's many parts.
Jay Ray:You can do a 10-part docuseries about women in hip-hop covering the golden
Jay Ray:era and all of that with easily.
Jay Ray:DJ Sir Daniel: Absolutely.
Jay Ray:They could've done a whole one episode on Sylvia Robinson alone.
Jay Ray:Alone.
Jay Ray:Because her history is wild.
Jay Ray:Like- Mm-hmm … becoming a p- a, a guitar player.
Jay Ray:Yep.
Jay Ray:And si- singing in a group herself.
Jay Ray:Mm-hmm.
Jay Ray:DJ Sir Daniel: To becoming a notorious gangster.
Jay Ray:Yeah.
Jay Ray:That, that started a record label.
Jay Ray:I mean, her history alone is worth at least an, an hour on its own.
Jay Ray:At least.
Jay Ray:But, you know, again, shout out to Mallia and Fatima- Mm-hmm … for what you guys
Jay Ray:did, because that was a lot of work.
Jay Ray:Yes.
Jay Ray:Um, I do- I, so looking on social media after, during the show and
Jay Ray:afterwards, there wa- uh, it was a lot of sentiment that was repeated
Jay Ray:regarding the glaring, gaping hole-
Jay Ray:that Foxy Brown left.
Jay Ray:It was like, and we just talked about Foxy Brown last week.
Jay Ray:And it was like, well, h- hold up.
Jay Ray:Wait- Did I miss it?
Jay Ray:Did, did somebody-
Jay Ray:What are you looking?
Jay Ray:You looking behind the thing like, "I know they gonna talk about Foxy now, right?"
Jay Ray:DJ Sir Daniel: Because, uh, and even in… Okay.
Jay Ray:Even the segment on Lil' Kim was sparse.
Jay Ray:It w- it was way sparse.
Jay Ray:DJ Sir Daniel: It was, it was, it was
Jay Ray:sparse- But the segment on Salt-N-Pepa was sparse too.
Jay Ray:DJ Sir Daniel: Yeah.
Jay Ray:So there, so there were kind of, there were some omissions.
Jay Ray:Mm-hmm.
Jay Ray:DJ Sir Daniel: Um, Foxy Brown being, being a big one, especially because
Jay Ray:the culture knows, hip hop culture knows that Lil' Kim and Foxy Brown's
Jay Ray:careers are forever intertwined.
Jay Ray:Absolutely.
Jay Ray:There is- You kinda
Jay Ray:DJ Sir Daniel: can't
Jay Ray:talk about one without the other.
Jay Ray:DJ Sir Daniel: Absolutely not.
Jay Ray:Definitely their careers took, went different places.
Jay Ray:Mm-hmm.
Jay Ray:DJ Sir Daniel: But the nexus, the or- the origins are definitely
Jay Ray:intertwined, and you cannot talk about one and not talk about the other.
Jay Ray:It just makes me wonder, you know, about why.
Jay Ray:You know, the politics around that.
Jay Ray:Um, yeah, it's, it's kinda weird.
Jay Ray:Mm-hmm.
Jay Ray:Um, it was… And it w- it, it kind of made me wonder,
Jay Ray:okay, the special was nice.
Jay Ray:Mm-hmm.
Jay Ray:DJ Sir Daniel: But I'm wondering, is, was this just an appetizer created
Jay Ray:by ABC to get us to watch their new show, Queens- Queens … featuring Eve-
Jay Ray:Eve … Brandy- Brandy … and Naturi- Yep
Jay Ray:on ABC?
Jay Ray:Because it led right on into that.
Jay Ray:Yeah.
Jay Ray:Then the very next night the show premiered.
Jay Ray:So, you know, I'm wondering if it, this was definitely a vehicle-
Jay Ray:Yes … for the show to be advertised.
Jay Ray:But I, it, yeah, Mallia and Fatima needed a whole week.
Jay Ray:They needed a
Jay Ray:DJ Sir Daniel: whole
Jay Ray:week.
Jay Ray:DJ Sir Daniel: They- ABC should have given them a whole week to
Jay Ray:do, uh, to really flesh it out.
Jay Ray:Yeah.
Jay Ray:Because I really think they did a great job with what they had.
Jay Ray:Mm-hmm.
Jay Ray:It could have even, it could have been even doper if they would've had more
Jay Ray:time to include J.J. Fad in there.
Jay Ray:Yeah.
Jay Ray:Oh, yeah.
Jay Ray:And what, and, and what J.J. Fad did for Ruthless Records- Yeah … and, and,
Jay Ray:and Eazy-E because we probably would've never heard of them if they hadn't had
Jay Ray:made all that money for Ruthless Records.
Jay Ray:So there's just so much that they could have talked about, um-
Jay Ray:Wow
Jay Ray:… DJ Sir Daniel: in this documentary.
Jay Ray:Yeah.
Jay Ray:Yeah.
Jay Ray:Um, so I, one of the theories, 'cause I was swirling around
Jay Ray:The Foxy Brown not being present.
Jay Ray:Yeah.
Jay Ray:So here's where I landed on that, and, um, folks, if y'all
Jay Ray:know, chime in, um, in the chat.
Jay Ray:But I was like, "Oh, maybe they just couldn't get her image cleared."
Jay Ray:That was the one thing.
Jay Ray:I was like, "This is probably comes down to, like, a business thing where they
Jay Ray:just couldn't get her image cleared," and that's- Mm-hmm … why she didn't appear.
Jay Ray:You know what I'm saying?
Jay Ray:Or that's why they couldn't really talk about her, 'cause they didn't… 'Cause
Jay Ray:you have to get all of that, like, all of these people pretty much have to sign
Jay Ray:off saying that you can talk about me.
Jay Ray:Um- Mm … and I would imagine that, I can imagine that you
Jay Ray:would have something like this.
Jay Ray:Foxy Brown, to your point, and Lil' Kim's careers are so pivotal to the trajectory
Jay Ray:of what hip hop did, not just women, 'cause as we know, Foxy helped men,
Jay Ray:one of them is almost a billionaire, helped men launch their careers.
Jay Ray:Two of them.
Jay Ray:Two of them.
Jay Ray:Two of them are billionaires.
Jay Ray:Right.
Jay Ray:Yeah.
Jay Ray:Foxy helped them launch into the stratosphere, right?
Jay Ray:You kinda can't talk about that era without talking about her.
Jay Ray:So the thing I came up with, I was like, "Oh, this is probably just
Jay Ray:they couldn't clear her image." Which is sad, if that's true.
Jay Ray:Um- I like
Jay Ray:DJ Sir Daniel: that theory.
Jay Ray:Yeah.
Jay Ray:I'm- I like that theory … I'm really thinking that's like it, 'cause I can't
Jay Ray:imagine they didn't reach out to her crew.
Jay Ray:It just wouldn't make sense.
Jay Ray:Yeah 'Cause they know, they know people would ha- be like, "Where's Foxy?"
Jay Ray:DJ Sir Daniel: It was, it was just like, okay, yeah, we gonna, so we gonna talk
Jay Ray:about Kim, we're gonna talk about Foxx,
Jay Ray:and- And then we'll go to Trina and Eve and them.
Jay Ray:We get it.
Jay Ray:We know how this- Yeah … is gonna go.
Jay Ray:And then it was like,
Jay Ray:DJ Sir Daniel: no.
Jay Ray:The steps.
Jay Ray:Right.
Jay Ray:The steps to it.
Jay Ray:So yeah.
Jay Ray:Um, good job ladies.
Jay Ray:Uh, I think the best part, the absolute best part was the intergenerational
Jay Ray:chat- I loved that … hoste- ho- hosted by Andrew Martinez.
Jay Ray:Mm-hmm Featuring the Godmother, Roxanne Shante.
Jay Ray:Yep.
Jay Ray:Lil Mama.
Jay Ray:Uh-huh.
Jay Ray:DJ Sir Daniel: And Lakeyah.
Jay Ray:Lakeyah, yep.
Jay Ray:Yeah.
Jay Ray:DJ Sir Daniel: Who, who is a QC artist, a vi- a quality control artist.
Jay Ray:Yeah.
Jay Ray:DJ Sir Daniel: Um, I just saw her recently with, on, doing a
Jay Ray:freestyle on Funkmaster Flex's show, which is a great look for her.
Jay Ray:Mm-hmm.
Jay Ray:So it, I think she's on her way.
Jay Ray:But I think that conversation is so important because there, there are
Jay Ray:these intergenerational, um, rifts-
Jay Ray:Mm-hmm
Jay Ray:DJ Sir Daniel: uh, when we have these discussions about what
Jay Ray:rap music was and r- what it is today, what's selling, what's not.
Jay Ray:Mm-hmm.
Jay Ray:DJ Sir Daniel: And I think it was so important that they had that
Jay Ray:conversation just womans, women to women.
Jay Ray:Mm-hmm.
Jay Ray:And hearing Lil Mama vocalize how she was at tw- 13, 14 years old, how they wanted,
Jay Ray:they tried to sexualize her- Sexualize her
Jay Ray:with the makeup.
Jay Ray:Mm-hmm.
Jay Ray:And she said, "Do you know what that does to a child when you, you start sexualizing
Jay Ray:them?" And I'm like, wow, yeah.
Jay Ray:Yeah.
Jay Ray:Yeah.
Jay Ray:And then on top of that, because you know of her infamous moment on the VMAs.
Jay Ray:Yeah.
Jay Ray:Yep.
Jay Ray:DJ Sir Daniel: You know, she, she was literally torn apart in social media.
Jay Ray:So yeah, that's a, that's a lot.
Jay Ray:That's a, a lot of times people, you know, like Lil Mama end up being- The,
Jay Ray:um, the, the guinea pigs- Yes … for other people of this is what not to do.
Jay Ray:Mm-hmm.
Jay Ray:This is what you can do.
Jay Ray:But you know, God bless her.
Jay Ray:I'm glad she was able to be a part of that conversation.
Jay Ray:And I really, I wonder what the outtakes look like.
Jay Ray:Because I know Shanté really could, I'm sure she was dropping gems,
Jay Ray:especially- Absolutely … for like Lakeyah, for the new ones.
Jay Ray:Yeah.
Jay Ray:'Cause, uh, you know, she had to.
Jay Ray:Absolutely.
Jay Ray:And you know what I loved about, so we of course grew up in the era
Jay Ray:where Shanté dissed everybody, right?
Jay Ray:So you know, when it's so funny, so when I see Roxanne Shanté you be like,
Jay Ray:"You don't know," like I be like, "Oh, is she gonna like go in on like
Jay Ray:all of these women sitting here?"
Jay Ray:'Cause that's like- Mm-hmm … in my head I'm like, "She just gonna
Jay Ray:start dissing everybody." Yeah.
Jay Ray:'Cause that's what she is.
Jay Ray:But what I loved that she did, and they left that in, was she bigged up Lakeyah.
Jay Ray:She was like, uh, she was talking about, what I love about your generation is
Jay Ray:what y'all, how y'all have kind of been moving within the industry and da, da, da.
Jay Ray:And she talked about specifically, you know, doing something, it was
Jay Ray:something on l- no, she got monetized.
Jay Ray:And she was like, "I got monetized," and she was like, "I didn't know what
Jay Ray:it meant, but I asked somebody" and they like, "Oh, it's because, you know,
Jay Ray:you hit this." And she's like, "Oh, that's how they be making that money."
Jay Ray:Yep.
Jay Ray:That's why.
Jay Ray:So it was cool hearing her from her generation like big up like,
Jay Ray:"I see how y'all are moving now. It's making sense to me."
Jay Ray:DJ Sir Daniel: And, you know, just like a, a bigger sister or mother,
Jay Ray:she's like, "Thank God y'all don't have to go what, go through-
Jay Ray:Yes … what I went through." Mm-hmm.
Jay Ray:"Thank God y'all didn't get, you know, have these promoters
Jay Ray:try to rob you and not pay you."
Jay Ray:Yep.
Jay Ray:" DJ Sir Daniel: That kind of stuff won't even fly no more." Mm-hmm.
Jay Ray:You know, because, because we went through it.
Jay Ray:So thank God y'all don't have to go through that.
Jay Ray:Mm-hmm.
Jay Ray:And you're making money off of, off of this.
Jay Ray:Right.
Jay Ray:DJ Sir Daniel: You know, the phones, and off of, you know, off
Jay Ray:of the, the computers and whatnot.
Jay Ray:Mm-hmm.
Jay Ray:So yeah, that was a very important moment to have.
Jay Ray:And, um, yeah, to your point about Chaunte being… But she
Jay Ray:had to be that at that time.
Jay Ray:She did.
Jay Ray:She did.
Jay Ray:DJ Sir Daniel: And so it's a wonderful thing to see that evolution-
Jay Ray:Yep
Jay Ray:… DJ Sir Daniel: because a lot of people are wondering, can other rappers evolve-
Jay Ray:Mm … and become friend- friendly, if not friends- Mm … and change, you know?
Jay Ray:If Chan- look, if Chaunte can do it and be cool with MC Lyte,
Jay Ray:Yo-Yo, Queen Latifah- Pooh She-
Jay Ray:and everybody else's- … and them lines- That everybody else that you just-
Jay Ray:From Big Mama were brutal, bruh.
Jay Ray:DJ Sir Daniel: They were brutal.
Jay Ray:Matter of fact, drop a link in so that they can hear, and make sure
Jay Ray:it's the Large Professor version.
Jay Ray:Oh, absolutely.
Jay Ray:Y'all gotta hear- Yeah, that- … Big Mama, and listen, I will never
Jay Ray:forget the, the, the Jack LaLanne line that was related to, uh- Ooh
Jay Ray:I think it was- Yo-Yo … Yo-Yo.
Jay Ray:DJ Sir Daniel: Yo-Yo, yeah.
Jay Ray:I was like-
Jay Ray:DJ Sir Daniel: Yeah
Jay Ray:… " Jay Ray: Yo, yo."
Jay Ray:DJ Sir Daniel: The Jack… It was the pork chop, it was the pork chop line for me.
Jay Ray:I was like, "Whoa." And then, and they, and they're, they're cool to this day.
Jay Ray:I'm like, "Okay." Because- So that, that lets me know
Jay Ray:… Jay Ray: it's hip hop too, and I think the guys, and that's the
Jay Ray:other thing that we're learning.
Jay Ray:So you know what, that's actually interesting.
Jay Ray:And, and, uh-
Jay Ray:Dissing then, well yeah, it got, it got real serious.
Jay Ray:Like, 'cause you know, like there was these moments where it was a diss, but
Jay Ray:then it blurred into something real.
Jay Ray:Mm-hmm.
Jay Ray:But also there was an understanding that this is a battle and someone has to lose.
Jay Ray:So I wanna throw everything at you.
Jay Ray:And at the moment where Big Mama was coming out, you have all of these women
Jay Ray:who are doing things that Roxanne Shante in her career hadn't been able to do.
Jay Ray:Yeah.
Jay Ray:Um, so yeah, of course you're gonna do a diss record against those.
Jay Ray:Every th- every woman she dissed in that record at that moment was, like, doing
Jay Ray:stuff that she wasn't able to do in her-
Jay Ray:DJ Sir Daniel: Commercially.
Jay Ray:Yeah.
Jay Ray:DJ Sir Daniel: Absolutely.
Jay Ray:Oh, the, the Monie Love line.
Jay Ray:Yeah.
Jay Ray:Oh.
Jay Ray:Nice.
Jay Ray:Ooh.
Jay Ray:DJ Sir Daniel: Ooh.
Jay Ray:And I, and again- Big Mama … she and Monie L- and, and she and Monie Love are,
Jay Ray:are cool, so cool to this day, but I'm just like, every now and then I, if I was
Jay Ray:Monie Love, I would look over at her and
Jay Ray:be like, "You remember when you said that?" She'd be like,
Jay Ray:"Y'all, I do remember when I said it."
Jay Ray:"I'd say it again."
Jay Ray:DJ Sir Daniel: Those, yeah, those were good times though.
Jay Ray:Those were good times for hip hop.
Jay Ray:Yeah.
Jay Ray:DJ Sir Daniel: Absolutely.
Jay Ray:Speaking of good times for hip hop, uh, before we close out,
Jay Ray:we gotta give a shout-out to the, to the Doggfather himself.
Jay Ray:Snoop Dogg turned 50 this week.
Jay Ray:Man.
Jay Ray:Snoop- Can
Jay Ray:DJ Sir Daniel: you believe it?
Jay Ray:I, I, you know what?
Jay Ray:In 2021 I can, but I couldn't have in 1993.
Jay Ray:Um, who knew that- Big, tall, lanky Snoop who- Mm-hmm … was incredibly
Jay Ray:talented, but you just kinda didn't know what that career was going to do.
Jay Ray:You knew he was dope.
Jay Ray:Yeah.
Jay Ray:'Cause he was dope, but I don't think we could have pegged that he would have
Jay Ray:the brilliant career that he's had.
Jay Ray:He made that thing work for him.
Jay Ray:DJ Sir Daniel: Listen, he's iconic.
Jay Ray:Literally.
Jay Ray:DJ Sir Daniel: Snoop Dogg is iconic.
Jay Ray:Snoop Dogg is interwoven into the fabric of American culture.
Jay Ray:Mm-hmm.
Jay Ray:Like, to your point, absolutely when we were in high school and, um, The
Jay Ray:Chronic and Doggystyle came out- Mm-hmm … we ju- we just could never
Jay Ray:could have fathomed that he would have, that his career would have
Jay Ray:become something of, uh, mythological.
Jay Ray:It's, it's mythological- Yeah … in a sense.
Jay Ray:Yep.
Jay Ray:DJ Sir Daniel: Another person, Snoop Dogg is crazy when it
Jay Ray:comes to the off the head also.
Jay Ray:Oh,
Jay Ray:yeah, yeah, yeah, yeah, yeah.
Jay Ray:That's one of
Jay Ray:DJ Sir Daniel: the- Like- He's
Jay Ray:so good.
Jay Ray:He's
Jay Ray:DJ Sir Daniel: so versatile, and like, he's, he's gutter with it- Mm-hmm … but
Jay Ray:he's also commercially friendly.
Jay Ray:Exactly.
Jay Ray:Like, who- did you ever think when we, that we would have seen the man that w-
Jay Ray:almost went to, to prison for murder-
Jay Ray:Mm-hmm
Jay Ray:DJ Sir Daniel: would be hanging out with Martha Stewart?
Jay Ray:Martha Stewart.
Jay Ray:And, and, and really, and, and, and, uh, I'm not a weed smoker, but Snoop I'm sure
Jay Ray:has had a lot to do with people accepting weed as kind of like a regular, um,
Jay Ray:something that you can just do, and it can become part of regular everyday life.
Jay Ray:Absolutely.
Jay Ray:Because Snoop was truly the one that kind of ushered that in in this generation.
Jay Ray:Um- Yep … and was unapologetic.
Jay Ray:The new Cheech and Chong.
Jay Ray:Yeah.
Jay Ray:He's, he was this… He was the, the our generation's Cheech and Chong.
Jay Ray:You know- Absolutely … Cheech or Chong.
Jay Ray:DJ Sir Daniel: Absolutely.
Jay Ray:So yeah, so happy birthday to the, to the Dogg Father.
Jay Ray:And, um, yeah, to that whole to- To that class of freshmen that we looked up
Jay Ray:to- Yeah … who are now becoming elder statesmen and- And elder stateswomen
Jay Ray:… it's just really good- Yeah … elder stateswomen, it's really good to look
Jay Ray:at them and to see them l- looking good and- Yeah … standing tall and
Jay Ray:still being really good at their craft.
Jay Ray:Like Big Daddy Kane, Big Daddy Kane is g- I know has to be
Jay Ray:at least, what, 53 by now?
Jay Ray:Oh, yeah.
Jay Ray:DJ Sir Daniel: And, and Chris, and KRS-One- Yeah … is, it might be,
Jay Ray:uh, slightly older because- Yeah … he's been in there for a minute.
Jay Ray:Mm-hmm.
Jay Ray:DJ Sir Daniel: But still sharp as, you know, razor sharp when it comes to it.
Jay Ray:Man.
Jay Ray:Um, so many moments and, uh, I w- I will say, um, I think I've said
Jay Ray:this on this show, but I'm gonna do a plug for the catalog of Juice Crew
Jay Ray:legend Masta Ace, who of all- Yeah
Jay Ray:of the Juice Crew was kinda the most prolific.
Jay Ray:His catalog is deep and good.
Jay Ray:Like, he has so many records that I literally love.
Jay Ray:I love the Masta Ace Incorporated stuff, but he- Mm … became known for, so
Jay Ray:in 2001 He really pivoted that career because he became, that was when the
Jay Ray:backpacker kinda thing became a thing.
Jay Ray:Yeah.
Jay Ray:And so he became an underground MC, but pioneered these, um,
Jay Ray:concept albums that were brilliant.
Jay Ray:So you have Disposable Arts, A Long Hot Summer.
Jay Ray:Play these records, y'all, and, and revisit the, the catalog of Masta
Jay Ray:Ace, who also is very big on health.
Jay Ray:So when we did our- Hmm … health show, I think I mentioned him.
Jay Ray:But he said, like, "Listen, when I hit around 40, I knew I
Jay Ray:couldn't survive doing what I did without pivoting my health." Yeah.
Jay Ray:And so he pivoted his health real serious, and was like, "I need to cut out the
Jay Ray:drinking while I'm on doing shows." 'Cause he's also, I think, an educator
Jay Ray:in the New York school system too.
Jay Ray:So he had to change some habits, man.
Jay Ray:So Masta Ace, shout out.
Jay Ray:DJ Sir Daniel: Definitely Masta Ace.
Jay Ray:Um, s- when you brought up the INC, um, those albums, that really, he
Jay Ray:was one of the, one of the main East Coast guys that kind of-
Jay Ray:Yep
Jay Ray:… DJ Sir Daniel: was able to marriage that West Coast sound.
Jay Ray:Yep.
Jay Ray:DJ Sir Daniel: He sure was.
Jay Ray:And he, his flow.
Jay Ray:And the albums were solid.
Jay Ray:Yep.
Jay Ray:And then the, the team that he, the team that he assembled.
Jay Ray:Yep.
Jay Ray:His wife, LeShé.
Jay Ray:LeShé.
Jay Ray:Uh, Paula, Paula Perry.
Jay Ray:Yep.
Jay Ray:And, uh, you know, and, uh, the MCs that he had riding with him.
Jay Ray:Like, those were some really dope pro- um, projects back in the day.
Jay Ray:You're absolutely right.
Jay Ray:Yeah.
Jay Ray:DJ Sir Daniel: Um, and we can't talk about, um, not talk about
Jay Ray:his appearance on the Crooklyn.
Jay Ray:Yep.
Jay Ray:DJ Sir Daniel: Um- Oh, my God.
Jay Ray:The Crooklyn
Jay Ray:Dodgers- … song … and all of that
Jay Ray:… DJ Sir Daniel: Crooklyn Dodgers.
Jay Ray:Yeah, man.
Jay Ray:So yeah.
Jay Ray:So shout out to, to Masta Ace.
Jay Ray:I saw you posted earlier this week, uh, reminded me of the brilliance
Jay Ray:of Digable Planets' Blowout Comb.
Jay Ray:That record.
Jay Ray:DJ Sir Daniel: Brilliant al- Bro.
Jay Ray:So, so- That record
Jay Ray:… Jay Ray: like people
Jay Ray:DJ Sir Daniel: ta- when it came out, and I know we, we, we're, we're
Jay Ray:wrapping up soon, I promise y'all.
Jay Ray:And we, we talked about everything from The Verses- Mm-hmm … to
Jay Ray:the Women of Hip Hop special.
Jay Ray:Now we're talking about Digable Planets.
Jay Ray:Mm. And that, and that was a shame that Lady Bug never was- That Lady Bug,
Jay Ray:I didn't see her picture, 'cause dear God, she's brilliant.
Jay Ray:DJ Sir Daniel: Talking, talking about one of the, the most
Jay Ray:fascinating voices in hip hop.
Jay Ray:Yep.
Jay Ray:But anyway, that album, Blowout Comb, first of all, was not wi- was not well
Jay Ray:received- Mm-hmm … because of the popular success of, um, The Pendulum.
Jay Ray:Yeah.
Jay Ray:The Rebirth of Slick album.
Jay Ray:The Rebirth of
Jay Ray:Slick album, yeah.
Jay Ray:DJ Sir Daniel: And so which is such a shame, because that album
Jay Ray:is so gorgeous production-wise.
Jay Ray:It's conceptual.
Jay Ray:Mm-hmm.
Jay Ray:Black, they were talking about Black, um, Black, um, liberation- Yes … on those
Jay Ray:records before it was really popular.
Jay Ray:Yep.
Jay Ray:DJ Sir Daniel: You know?
Jay Ray:A- and so please you guys, check out Blowout Comb.
Jay Ray:Please.
Jay Ray:It turned what, 26?
Jay Ray:20- Or 27 … yeah, I believe 26, 'cause it's, wait a minute, 1994.
Jay Ray:How, uh, what is that?
Jay Ray:DJ Sir Daniel: What, so it'll be 27.
Jay Ray:27.
Jay Ray:DJ Sir Daniel: So maybe it's turning, yeah.
Jay Ray:Yes.
Jay Ray:Um, please y'all.
Jay Ray:Yeah, that-
Jay Ray:DJ Sir Daniel: Gorgeous album
Jay Ray:… Jay Ray: yeah, I mean, they had crazy sample.
Jay Ray:Like, they sampled Shuggie Otis on that record, and nobody knew what
Jay Ray:Information, uh, Inspiration Information sounded like, 'cause they got
Jay Ray:discovered, rediscovered in the 2000s.
Jay Ray:Yeah.
Jay Ray:But they had a sample of it on their joint.
Jay Ray:And just think- When 9th Wonder came out, I was like, "This is it." Can you
Jay Ray:see that I'm 68 inches above sea level?
Jay Ray:93 million miles above these devils.
Jay Ray:Play me in the winter.
Jay Ray:Play me in the summer.
Jay Ray:Play me in the order, any order I say.
Jay Ray:DJ Sir Daniel: Yo, and shout out to my sister, DJ Jazzy Joyce.
Jay Ray:Jazzy.
Jay Ray:That, that was a moment for her to be- Jazzy Jo- on the real, Jazzy
Jay Ray:Joyce.
Jay Ray:DJ Sir Daniel: Yes, that was a moment for her to be reintroduced to another
Jay Ray:generation that… And my sister is s- is really underrated and does
Jay Ray:not get… And I call her my sister because she's a friend of mine.
Jay Ray:Yeah.
Jay Ray:Mm-hmm.
Jay Ray:DJ Sir Daniel: Like, I, we are legit, we're legit friends.
Jay Ray:Yes.
Jay Ray:And shout out to you, Jazzy Joyce, because she is, she is sorely,
Jay Ray:sorely underrated and unappreciated in this, um, in this game.
Jay Ray:Oh, we're gonna wrap up because I, it just dawned on me that you can't, you didn't,
Jay Ray:the special was not able to talk about the women behind the turntables in hip hop.
Jay Ray:That is a, a-
Jay Ray:DJ Sir Daniel: And there are so many … interesting omission.
Jay Ray:That's a- Yeah
Jay Ray:… Jay Ray: interesting omission.
Jay Ray:So,
Jay Ray:DJ Sir Daniel: so Fatima and Mallia, great job.
Jay Ray:Mm-hmm.
Jay Ray:Let's see if we can get, like, a part two and a part three and a part four- Yes.
Jay Ray:… so all these people can be honored and respected for their craft and what
Jay Ray:they've given to the, to the culture.
Jay Ray:Yes.
Jay Ray:Oh, man, this is amazing.
Jay Ray:This is amazing.
Jay Ray:DJ Sir Daniel: Yeah.
Jay Ray:Yeah.
Jay Ray:DJ Sir Daniel: Well, listen.
Jay Ray:Kids, what do I always say?
Jay Ray:In this life, you can either pick up the needle or you can let the music play.
Jay Ray:The choice is yours.
Jay Ray:The, I am DJ Sir Daniel.
Jay Ray:And I
Jay Ray:am Jay Ray, y'all.
Jay Ray:DJ Sir Daniel: Peace.
Jay Ray:Thank you for joining us for this dope ass episode of Que-
