Episode 172

R. Kelly’s Legacy: Is He Really America’s Greatest Songwriter?

Published on: 10th January, 2025

In this lively episode of Queue Points Live, hosts DJ Sir Daniel and Jay Ray tackle one of the most polarizing questions in Black music history: Is R. Kelly the greatest American songwriter? 🤔 (Spoiler Altert - NO, he's not.) Fueled by viral social media hot takes, they unpack the complexity of R. Kelly’s legacy—from his undeniable musical genius to the societal implications of celebrating his work in light of his personal controversies.

Through a mix of humor, cultural critique, and deep analysis, they explore how R. Kelly’s music became a cornerstone of Black nostalgia, his mastery of the pop music formula, and the reasons his songs still resonate despite his downfall. Is it possible to separate the art from the artist? And where does R. Kelly stand in the pantheon of great songwriters like Smokey Robinson and Carole King? Tune in to find out!

#BlackMusicHistory #PodcastDiscussion #RKellyLegacy #MusicAndControversy, #SongwritingDebate

Chapters

00:00 Intro Theme

00:00 Welcome and Shout out to Phi Beta Sigma Fraternity Inc.

01:17 Empathy for Los Angeles

04:49 Hot Takes on Social Media

05:29 R. Kelly's Controversial Legacy

12:38 The Impact of R. Kelly's Music

16:24 Debating R. Kelly's Songwriting

20:56 Nostalgia and R. Kelly's Influence

25:27 Trapped in the Closet Phenomenon

28:15 Upcoming Event: Trapped in the Closet Watch Party

29:32 R. Kelly's Magnetic Persona and Pop Music Formula

31:14 Analyzing 'You Are Not Alone' Lyrics

31:58 The Evolution of Pop Music and Songwriting

36:47 The Controversy of R. Kelly's Legacy

41:53 Community Reactions and Final Thoughts

48:20 Closing Remarks and Announcements

50:08 Closing Theme

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Transcript
Speaker:

DJ Sir Daniel: Greetings and welcome to another episode of Queue Points podcast.

Speaker:

I'm DJ Sir Daniel.

Jay Ray:

And my name is Jay Ray, sometimes known by my government

Jay Ray:

as Johnnie Ray Kornegay the third.

Jay Ray:

And real quick, Sir Daniel, I want to send love and a shout out to Phi

Jay Ray:

Beta Sigma Fraternity Incorporated.

Jay Ray:

Today is our founder's day, 111 years.

Jay Ray:

So shout out to all the brothers of Sigma.

Jay Ray:

Love y'all and we hear sir.

Jay Ray:

Daniel.

Jay Ray:

This is our first public live of 2025 We did a live but it was a private one last.

Jay Ray:

DJ Sir Daniel: Oh, yes.

Jay Ray:

Yes.

Jay Ray:

You like wait a

Jay Ray:

minute.

Jay Ray:

DJ Sir Daniel: We was

Jay Ray:

live

Jay Ray:

DJ Sir Daniel: last week No, but you're absolutely correct.

Jay Ray:

Um, yes, this is our first live and because we are the the podcast dropping

Jay Ray:

the needle on black music history, you know, we You know Gotta keep shout.

Jay Ray:

We gotta a shout out to, to the Divine.

Jay Ray:

So shout out to you and your brothers.

Jay Ray:

Yes.

Jay Ray:

Um, it was nothing but blue and white all on my timeline today.

Jay Ray:

Yes.

Jay Ray:

So I was like, it gotta be, it gotta be Founder's Day for the brothers . And

Jay Ray:

um, also before we get started, um, we want to give, to send Massive love.

Jay Ray:

Yes.

Jay Ray:

And um, and just prayers to the people in Los Angeles.

Jay Ray:

Right now, who are, you know, fighting for their lives, basically making sure

Jay Ray:

that they evacuate, um, if they have to evacuate because of those ongoing

Jay Ray:

fires, I heard something very important today that needed to be said, um, a lot

Jay Ray:

of us who are outside of Los Angeles looking in might believe that it.

Jay Ray:

These fires are only affecting rich people.

Jay Ray:

That is not

Jay Ray:

DJ Sir Daniel: true.

Jay Ray:

That's not the case.

Jay Ray:

There are a lot of people who are low income, middle income,

Jay Ray:

middle class, um, who are just being disenfranchised as we speak.

Jay Ray:

So I think we need to, you know, turn up the empathy.

Jay Ray:

Absolutely.

Jay Ray:

I think it's really every time there is A natural disaster.

Jay Ray:

Literally my reflex is if a person is poor, what do they do?

Jay Ray:

Like when they need to evacuate, like, how do they evacuate?

Jay Ray:

If you are an individual that does not have a mode of transportation and

Jay Ray:

they're like, you need to leave your area and you need to go somewhere.

Jay Ray:

Like, where do you go?

Jay Ray:

And this is where, when we talk about, um, Public resources and all of that

Jay Ray:

that this is why voting is really important like we have to be able to

Jay Ray:

do it Because this is devastating.

Jay Ray:

I have seen so many images Um, we've seen video i've actually talked to

Jay Ray:

people so i've reached out to some of our people Um to make sure that they

Jay Ray:

were good now that was yesterday.

Jay Ray:

I got to check in with people today Yeah, because it's a day by day thing.

Jay Ray:

And so Listen empathy turn up the empathy because I can't imagine So

Jay Ray:

Daniel, I literally was like, I've never seen anything like this before.

Jay Ray:

I can't imagine what I would do in this situation.

Jay Ray:

DJ Sir Daniel: Yeah.

Jay Ray:

Same, same over here.

Jay Ray:

Um, also thinking about us here in Georgia, you know, we're keeping

Jay Ray:

our fingers crossed here in Georgia.

Jay Ray:

Cause mother nature is about is doing her big one right now.

Jay Ray:

Yes.

Jay Ray:

All across the nation.

Jay Ray:

And, um, yeah, just everybody just be safe.

Jay Ray:

And, um, And keep in contact with your loved ones, whether they're on

Jay Ray:

the East Coast or the West Coast.

Jay Ray:

And just, you know, key points we wanted to show our love to you guys and

Jay Ray:

just make sure that you're doing good.

Jay Ray:

And just, of course, letting us know if we need to amplify a

Jay Ray:

signal for you, if you need help.

Jay Ray:

Let us know and we'll do what we can to, on our end, as far as our

Jay Ray:

resources to help amplify the word.

Jay Ray:

Yeah.

Jay Ray:

So definitely want to send, um, we just put that up from Mark McPherson.

Jay Ray:

Shout out to Mark.

Jay Ray:

Thank you so much for, for joining us, Mark, um, as always.

Jay Ray:

And Mark was just saying, um, the fire has impacted his family.

Jay Ray:

Uh, a cousin lost her home and a husband and a, and another doesn't

Jay Ray:

know if his home is still there.

Jay Ray:

DJ Sir Daniel: Yeah.

Jay Ray:

My goodness.

Jay Ray:

DJ Sir Daniel: That see, those are the types of things that, We just don't

Jay Ray:

think about, we don't think about those things and until they happen to you.

Jay Ray:

Yep.

Jay Ray:

So what we like to do here, you know, at Queue Points, um, you know, maybe

Jay Ray:

this, you're not listening to this while we're broadcasting live, but

Jay Ray:

you're listening to this at another time and it's giving you some, some joy.

Jay Ray:

That's cause that's what we want to do.

Jay Ray:

So we, J.

Jay Ray:

Ray and I, you know, we get, sometimes we don't eat these topics

Jay Ray:

literally just fall into our laps.

Jay Ray:

Yes.

Jay Ray:

DJ Sir Daniel: Because a lot of people, you know, you got

Jay Ray:

to love social media for this.

Jay Ray:

A lot of people have a lot of hot takes.

Jay Ray:

I mean really hot takes and let's see.

Jay Ray:

Let's start.

Jay Ray:

Do we want to start off with the tweet?

Jay Ray:

Let's

Jay Ray:

let's start with it.

Jay Ray:

Let's start with the tweet.

Jay Ray:

This is so you saw this.

Jay Ray:

Sir, Daniel, I have a question.

Jay Ray:

Well, first of all, we're going to read the tweet And so Daniel,

Jay Ray:

please what is this tweet?

Jay Ray:

And what was your first thought when you read it because you

Jay Ray:

shared it with me and I was like,

Jay Ray:

DJ Sir Daniel: huh?

Jay Ray:

so apparently, um Sade x goddess on december 29th Had an epiphany That r

Jay Ray:

kelly wrote michael jackson's you were not alone and she went to x and tweeted it.

Jay Ray:

Yes You So Mr.

Jay Ray:

WizArab10 responded, quote tweeted, um, Sade, quote tweeted her and said,

Jay Ray:

There is no better writer in the history of American music than R.

Jay Ray:

Kelly.

Jay Ray:

And of course, that set off quite the sandstorm of, you know,

Jay Ray:

Tweets, replies, clapbacks, um, videos, it just, it went viral.

Jay Ray:

Of course, as you can see down there, that, that tweet alone has gotten what?

Jay Ray:

What is this right here?

Jay Ray:

3.

Jay Ray:

1 million views.

Jay Ray:

DJ Sir Daniel: That just to let you, that just lets you know how polarizing R.

Jay Ray:

Kelly.

Jay Ray:

Is even when we're not talking about the, you know, the behaviors that landed

Jay Ray:

him in prison, you know, people are making these hot takes about him being

Jay Ray:

the best American songwriter ever.

Jay Ray:

And then to top it all.

Jay Ray:

On top of all of that, you know, Teedra Moses has been in the news.

Jay Ray:

She's, you know, her tiny, since her tiny desk, she's been popping up on

Jay Ray:

interviews and whatnot, and she made a stop at the R&B Money podcast.

Jay Ray:

She did podcast, uh, with tank and, um, I forget the other hosts, but

Jay Ray:

she made a comment regarding R Kelly that set Twitter on fire as well.

Jay Ray:

And I believe we have a clip of that.

Jay Ray:

We do have a clip

Jay Ray:

of that.

Jay Ray:

Adore you by Prince.

Jay Ray:

Greatest Sex, R.

Jay Ray:

Kelly.

Jay Ray:

What a song!

Jay Ray:

You can close your eyes and see everything he's saying.

Jay Ray:

I was so angry when I heard that song.

Jay Ray:

How did you get to anger?

Jay Ray:

Because in my mind, I was always competing against him, even

Jay Ray:

though I wasn't at that time.

Jay Ray:

Space yet.

Jay Ray:

And I was like, he's still so much better.

Jay Ray:

The honest

Jay Ray:

here inside my what do you say here on inside this bed of mine?

Jay Ray:

I see ceiling fans and you on top of me.

Jay Ray:

If you close your eyes, you can see it.

Jay Ray:

Everything's in inside these walls.

Jay Ray:

There was well a Capricorn top 5 RB songs.

Jay Ray:

DJ Sir Daniel: Huh?

Jay Ray:

So I believe okay.

Jay Ray:

So Jay Ray, what is your reaction to that?

Jay Ray:

And I'll let you know how come back to you.

Jay Ray:

Um, so

Jay Ray:

I think two things can be true at the same time.

Jay Ray:

DJ Sir Daniel: Mm hmm.

Jay Ray:

Um, As someone who has liked a lot of R.

Jay Ray:

Kelly songs over the years, right?

Jay Ray:

Um, I, I rebuke myself for, for liking R Kelly for longer than I should have.

Jay Ray:

And I think I've talked about that on this show, right?

Jay Ray:

I think two things can be true at the same time.

Jay Ray:

I, um, I, I, I do not think that R Kelly is the greatest American songwriter.

Jay Ray:

The reason why, by the way, I hovered over Sir Dixon's name is because I

Jay Ray:

was like, is this person like a troll?

Jay Ray:

And then I'm like, Oh, he has like 500 and he has like half a million followers.

Jay Ray:

So he's not a troll.

Jay Ray:

Right.

Jay Ray:

So I Tiedra and tank are not off with the greatest sex, especially when you

Jay Ray:

like jump into like lyrics like that.

Jay Ray:

And you're like, yeah, like that is.

Jay Ray:

Well crafted and interesting and I can see all the things and I

Jay Ray:

get where they're coming from.

Jay Ray:

I don't think it was worth.

Jay Ray:

I don't think all of the vitriol that Tidra got.

Jay Ray:

After that was worth it.

Jay Ray:

I also don't think Teidra's responses were worth it either stuff.

Jay Ray:

Many things can be true at the same time.

Jay Ray:

Like, I feel like there's a lot of mess to go around.

Jay Ray:

There's some mess with how she responded.

Jay Ray:

There's some mess with the fact that we're talking about R Kelly and

Jay Ray:

having to, at this point, and I feel like we have to do this reckon with

Jay Ray:

his legacy, which is huge and vast.

Jay Ray:

Um, And the fact that I think people be crazy on Twitter when they say stuff

Jay Ray:

like he's the greatest songwriter I don't think that that's true, but I

Jay Ray:

don't necessarily I don't think t dra and tank are wrong But I do think some

Jay Ray:

of the tweets that t dra made were wrong.

Jay Ray:

It's a lot going on with it.

Jay Ray:

It's a lot

Jay Ray:

DJ Sir Daniel: Yeah, I think so Basically, I think that Tidra became the

Jay Ray:

target of a lot of women specifically became the target because a lot of

Jay Ray:

women feel like what happened in the R.

Jay Ray:

Kelly situation as a woman, you should be as bothered and troubled by, um, The

Jay Ray:

things that happen to these other young women and that you as a woman should

Jay Ray:

have want nothing to do with this and then speaking out and still calling

Jay Ray:

his name and giving him, you know, accolades about his talents is somehow

Jay Ray:

cheapening and lessening the, um, what happened to these people, the victims,

Jay Ray:

the people that had these experiences.

Jay Ray:

And so.

Jay Ray:

Yes, I think all of that people, sometimes it does, it just takes

Jay Ray:

one person to become a target and to become a focal point for all of

Jay Ray:

those thoughts that people have.

Jay Ray:

And so that day just happened to be Teedra Moses.

Jay Ray:

And now they've been whacking tank about, cause tank, this ain't the

Jay Ray:

first time tank is, has been called R Kelly's name on their podcast.

Jay Ray:

And they've been whacking the people who've been whacking

Jay Ray:

tank about that for a while too.

Jay Ray:

So it's like, there's just, so then it makes me think.

Jay Ray:

Like, okay, is it worth it?

Jay Ray:

Is R.

Jay Ray:

Kelly's music that good to be calling out his name constantly

Jay Ray:

and to risk, you know, the vitriol of the public coming down on you?

Jay Ray:

So that's a question that popped up in my mind.

Jay Ray:

And then when I got to thinking about it, I started thinking, Oh, I think.

Jay Ray:

I understand why R Kelly's music still has a chokehold on black people.

Jay Ray:

But let us have it.

Jay Ray:

The DJ.

Jay Ray:

So Daniel, we need a, we need a sound for this.

Jay Ray:

DJ.

Jay Ray:

So Daniel theory,

Jay Ray:

DJ Sir Daniel: you know, guys, I have, I have a theory.

Jay Ray:

I have thoughts.

Jay Ray:

Okay.

Jay Ray:

So

Jay Ray:

It's threefold.

Jay Ray:

So I believe R Kelly, I believe.

Jay Ray:

I believe I can

Jay Ray:

fly.

Jay Ray:

DJ Sir Daniel: R Kelly came along at a very specific time.

Jay Ray:

And he was able to master the R& B bad boy trope with a mix

Jay Ray:

of sensitivity and sensuality.

Jay Ray:

I believe.

Jay Ray:

He came at the right time.

Jay Ray:

He came on the coat on the coattails of Jodeci and Bobby Brown and I'll be sure

Jay Ray:

and he took that trope of bad boy and just turn it up like he he turned it up

Jay Ray:

bit by bit just to see how much we could take and and and the public was loving it.

Jay Ray:

You know, women specifically, women specifically loved what R Kelly was

Jay Ray:

giving, what he presented, what he rep, what he was presenting to them

Jay Ray:

physically, you know, he's at that time.

Jay Ray:

Um, you know, male R& B singers really had to, not only did you have

Jay Ray:

to sound good, you had to look good.

Jay Ray:

So you know, he had the body.

Jay Ray:

He was, um, he had at every chance he could, you know, give you like somebody

Jay Ray:

who may or may not have been in prison at one point, you know, and was giving you.

Jay Ray:

Kind of, I just got out of prison fashions, but I'm, I'm singing to you

Jay Ray:

at the same time and I want to make you feel safe and I'm, I'm going to sex

Jay Ray:

you up and down and all around and just make you feel, you feel really good.

Jay Ray:

So he met, but he was able to do other songs where he was able to, you know,

Jay Ray:

sprinkle sensitivity in there and, you know, I want to, you know, make you feel

Jay Ray:

like he's about to cry and, and we ate that, excuse me, we ate that stuff up.

Jay Ray:

We ate it up.

Jay Ray:

Women ate it up.

Jay Ray:

And so he endeared himself to the public using that bad boy trope

Jay Ray:

and fusing it with sensitivity.

Jay Ray:

Second part.

Jay Ray:

The black community, we have continuously had this back and

Jay Ray:

forth conversation or this back and forth about The idea of masculinity

Jay Ray:

and

Jay Ray:

DJ Sir Daniel: how it should look and be performed.

Jay Ray:

And R.

Jay Ray:

Kelly just happened to come along and fulfill that and be like, Hey,

Jay Ray:

that's something I can point to.

Jay Ray:

That's what a real man does.

Jay Ray:

I can feel by proxy, I can talk to my woman through R Kelly and exhibit

Jay Ray:

maleness, masculineness, and, you know, take you down just by singing and take

Jay Ray:

you down with these lyrics and, you know, You know, that's something that we held

Jay Ray:

on to, you know, that's a good black man.

Jay Ray:

That's a, you know, he's a sensual black man.

Jay Ray:

We, he's our, he's our generations, Teddy Pendergrass and Marvin Gaye all

Jay Ray:

rolled into one and, you know, and he looked like a man, man, you know?

Jay Ray:

So.

Jay Ray:

And those are things that the black community is constantly grasping for.

Jay Ray:

Sure.

Jay Ray:

Whether we want to admit it or not, we are constantly grasping for

Jay Ray:

it, we are constantly pointing to examples to show what is, and now

Jay Ray:

more than ever, what is not considered masculine or manly in the community.

Jay Ray:

And so that, so that, those things keep us in a chokehold, kept, R.

Jay Ray:

Kelly kept us in a chokehold.

Jay Ray:

And last but not least.

Jay Ray:

Jay Ray, R.

Jay Ray:

Kelly's music is directly associated with good times and nostalgia.

Jay Ray:

Yes.

Jay Ray:

Point

Jay Ray:

DJ Sir Daniel: blank period.

Jay Ray:

Yeah.

Jay Ray:

DJ Sir Daniel: There's no, like, if you're a certain age, I believe

Jay Ray:

I Can Fly was sung at your, at your high school graduation.

Jay Ray:

It was sung at your kindergarten graduation.

Jay Ray:

Yes, it was.

Jay Ray:

Okay, yeah, he did what all singers do when they want to make people cry and

Jay Ray:

feel emotions He brings out a black choir To sing behind him and sing.

Jay Ray:

I believe I can fly Um same thing with you are not alone.

Jay Ray:

Yeah You know, those are, those are things that we hold on to that

Jay Ray:

meant something to us that are, um, that was sung at our baptism.

Jay Ray:

You are not alone because I'm walking, you know, um, Jesus is walking with me.

Jay Ray:

R Kelly made me feel that and let's not, we popping, popping bottles in the club

Jay Ray:

and having fun and, you know, grinding on each other to the, to the remix.

Jay Ray:

And this is the remix to ignition.

Jay Ray:

It was a, it was a good time.

Jay Ray:

Those were like the gold.

Jay Ray:

They refer to that as the golden era for a reason.

Jay Ray:

Yeah, it was some good times.

Jay Ray:

I R Kelly was just coming out of every speaker and we just cannot let that go.

Jay Ray:

You are absolutely correct.

Jay Ray:

I think the other layer to it as well.

Jay Ray:

In addition to all of those three things is that R Kelly.

Jay Ray:

And I think because of.

Jay Ray:

Some of his own limitations, right?

Jay Ray:

And, and, and in the way that he, um, you know, his education and

Jay Ray:

all of those things communicated to people was in kind of a way that

Jay Ray:

there was no ambiguity about what R.

Jay Ray:

Kelly was talking about, right?

Jay Ray:

So when we think about Some of the R& B music is so funny, like how it took

Jay Ray:

us years to figure out that they was talking about like, Oh, they're talking

Jay Ray:

about like, I know that's what you are.

Jay Ray:

My Starship was about until you got, you started to understand nuance.

Jay Ray:

You started to understand like, Oh, this is a euphemism

Jay Ray:

for this other thing, right?

Jay Ray:

Because as you grow, you get more education and you realize how

Jay Ray:

to communicate with some nuance.

Jay Ray:

You know what I mean?

Jay Ray:

R Kelly didn't do nuance.

Jay Ray:

DJ Sir Daniel: No.

Jay Ray:

Not at all.

Jay Ray:

You

Jay Ray:

just didn't do.

Jay Ray:

And I will tell you, I will tell you when I, um, as a former R Kelly fan, I'm

Jay Ray:

going to keep repeating that because I want to be clear that I made a choice.

Jay Ray:

Oh, in the early two thousands, really, um, to not be an R Kelly fan.

Jay Ray:

Right.

Jay Ray:

So just like I stepped in the name of love, unfortunately, just like with

Jay Ray:

the best of us, you couldn't avoid it.

Jay Ray:

It was a feel good song, but whatever, I digress.

Jay Ray:

The thing that was so dope to me in the nineties, when R Kelly, when in

Jay Ray:

particular, when 12 play came out.

Jay Ray:

Was how unfiltered it was.

Jay Ray:

So I was a kid, right?

Jay Ray:

I wanted somebody to say they doing the thing that they doing, right?

Jay Ray:

That was edgy and cool to me at the time, right?

Jay Ray:

Um, it was like, Prince unfiltered, you know what I'm saying?

Jay Ray:

Cause Prince, it was like Prince, whereas, you know, Prince was,

Jay Ray:

Prince was a songwriter, right?

Jay Ray:

So he could write with nuance.

Jay Ray:

He could also be unfiltered, right?

Jay Ray:

But that wasn't the lane.

Jay Ray:

You know what I mean?

Jay Ray:

Whereas I felt like R.

Jay Ray:

Kelly was like saying the thing.

Jay Ray:

And that was really cool to me at the time.

Jay Ray:

Why is that important?

Jay Ray:

I think that is important because We're now at a place

Jay Ray:

where I wish we had more nuance.

Jay Ray:

Like, I wish, I wish that folks read more.

Jay Ray:

I wish that there were more words used.

Jay Ray:

I wish that folks could learn like new vocabulary words from music.

Jay Ray:

We not there anymore.

Jay Ray:

I think that R.

Jay Ray:

Kelly didn't force us to think about it too hard.

Jay Ray:

We felt he allowed us to just feel it and experience it.

Jay Ray:

Those are very valid.

Jay Ray:

Right.

Jay Ray:

Sure.

Jay Ray:

I also would like to be engaged up here.

Jay Ray:

R.

Jay Ray:

Kelly, to the point, it was feel good.

Jay Ray:

You felt it here.

Jay Ray:

You felt it in your groin.

Jay Ray:

You felt it wherever you was going feeling.

Jay Ray:

It wasn't necessarily that you had to think about it.

Jay Ray:

You was just feeling it.

Jay Ray:

And I, and I think.

Jay Ray:

That is also a thing that made folks love the music that he was making at the time.

Jay Ray:

Um, and is also a thing.

Jay Ray:

It's the, it's the, it's the good and the bad of it.

Jay Ray:

I think people saw that

Jay Ray:

That he was able to do this right now.

Jay Ray:

Not keep not even recognizing that he had all these other talents to write.

Jay Ray:

So it wasn't just, you know, the lyrics.

Jay Ray:

It was like the music and the composition and all those other things,

Jay Ray:

which were natural talents for him, but I think that everybody saw that

Jay Ray:

and was like, I want to do that.

Jay Ray:

That's great.

Jay Ray:

I want to do that.

Jay Ray:

It kind of left the other stuff alone and I'm like, yeah, that was cool.

Jay Ray:

But this other thing is cool too.

Jay Ray:

Like everything don't got to sound like 12 play or the R.

Jay Ray:

Kelly album.

Jay Ray:

I remember Sir Daniel and I'm going to stop in a minute, but I remember when.

Jay Ray:

You remind me of something came out I thought that song was riveting that dude

Jay Ray:

was literally singing y'all They this is who the brother said was the greatest

Jay Ray:

American songwriter that dude literally wrote the lyrics you remind me of my Jeep

Jay Ray:

Something like my bank accounts I want to spend it.

Jay Ray:

What, what, what's happening?

Jay Ray:

DJ Sir Daniel: And let's not forget the, the yodeling at the end,

Jay Ray:

right?

Jay Ray:

DJ Sir Daniel: The yodeling

Jay Ray:

we sometimes when the, when the young people, um, Make fun of us and talk

Jay Ray:

about y'all are, we are cri uh, uh, talk about our criticism of their music today.

Jay Ray:

And they point out certain things.

Jay Ray:

That's what they think.

Jay Ray:

That's moment that they point out.

Jay Ray:

And I'm just like, you got us there.

Jay Ray:

Yeah,

Jay Ray:

we, you got us.

Jay Ray:

We did that.

Jay Ray:

DJ Sir Daniel: He yodel.

Jay Ray:

Yeah, you got us there.

Jay Ray:

You right, you right.

Jay Ray:

That was, that was crazy.

Jay Ray:

You sounded crazy back then.

Jay Ray:

And to it's, I think you are, you're onto something here.

Jay Ray:

It's like, there is, there's room.

Jay Ray:

There's room, there's definitely room for the un, the unserious.

Jay Ray:

There's room for camp.

Jay Ray:

That's it really is.

Jay Ray:

I, I think there, I really think we need more campiness.

Jay Ray:

Mm-hmm . We need more camp in you love camp.

Jay Ray:

Our culture.

Jay Ray:

Uh oh.

Jay Ray:

I love camp.

Jay Ray:

And, and I think there's, there should be room for that only because.

Jay Ray:

I think we are leaning more on the more destructive things that, whatever, for

Jay Ray:

whatever reason, people are finding solace and finding, you know, Amusement in the

Jay Ray:

things that are destructive, um, to not only to ourselves, but to each other.

Jay Ray:

Um, but yes, I, you're right.

Jay Ray:

We don't have to think hard when it comes to listening to a, uh, uh, R Kelly

Jay Ray:

song and the sons of R Kelly that have come along and the grand, the grandsons

Jay Ray:

that he have now that don't even sing.

Jay Ray:

They, they do this melodic stuff, but they're all, they're all part

Jay Ray:

of his lineage of saying things.

Jay Ray:

And then, you know, it's funny when we had that conversation

Jay Ray:

with, um, Leo, for our girl Leo.

Jay Ray:

And I think she's over, she's over on,

Jay Ray:

yeah, she's over there on IG.

Jay Ray:

What's up

Jay Ray:

DJ Sir Daniel: Leo?

Jay Ray:

You know, we had that conversation about women's, um, Reactions getting less

Jay Ray:

and less, um, anti whatever the women becoming more acclimated to the way

Jay Ray:

a lot of the singers and rappers were talking to them and even finding joy.

Jay Ray:

In the music, you know, we had a whole episode about that and it's got

Jay Ray:

to be said, you know, I think that the more we get things and we accept

Jay Ray:

them, the less abrasive they may sound and the less crazy they may sound.

Jay Ray:

But, you know, if you came up in a time like we did where We can tell a

Jay Ray:

distinct difference when things change.

Jay Ray:

Yeah,

Jay Ray:

DJ Sir Daniel: it still kind of raises an eyebrow and then looking back.

Jay Ray:

We're like Was he really the greatest songwriter and we're going to stay

Jay Ray:

on that because that's what the topic is That's what the topic is is like

Jay Ray:

does he was he really the greatest songwriter because now what he was good

Jay Ray:

at What that is That rascal was good at, was good at making songs that the

Jay Ray:

radio, that radio programmers had no problem putting into heavy rotation.

Jay Ray:

J.

Jay Ray:

Ray, right here, right now, back in 2005, I remember when the program

Jay Ray:

director that out at the radio station that I was working at told us, and

Jay Ray:

I was producing a show called Loving Relationships with Joyce Letell on V103.

Jay Ray:

Our program director came to us and said, Hey guys, you

Jay Ray:

know, it would be a great idea.

Jay Ray:

And this is when somebody's, um, They're not telling you what to do,

Jay Ray:

but they're telling you what to do,

Jay Ray:

DJ Sir Daniel: but they're, they're suggesting, suggesting really

Jay Ray:

heavily that you guys do a show and string all the episodes of R.

Jay Ray:

Kelly's Trapped in the Closet and do a whole love and relationships.

Jay Ray:

Show around trapped in the closet, and I was like what sure okay?

Jay Ray:

We can do that But it was it was literally a no brainer the phone lines

Jay Ray:

were lit up all night people had all kinds of things to say It was It, he,

Jay Ray:

he did his, R Kelly did his big one with that because it got people talking.

Jay Ray:

It got people trying to guess what was going to happen next.

Jay Ray:

The songs, each one was less than a, if I can remember was less

Jay Ray:

than a minute and 30 seconds.

Jay Ray:

Which is, which is again is to his point is genius because it keeps people wanting

Jay Ray:

to hear more and then for radio that was absolutely, that was a gold mine for

Jay Ray:

radio because it keeps people tuning in.

Jay Ray:

So that's what his genius is.

Jay Ray:

He's good at getting us horny, good at getting us, you know, turned up.

Jay Ray:

And, um, and we're nosy.

Jay Ray:

So, of course, we want to hear, you know, want to hear what the, uh, what's going to

Jay Ray:

happen next when he opens up the closet.

Jay Ray:

So, okay, y'all let us know.

Jay Ray:

Drop it in the chat.

Jay Ray:

If you want to join us, we are planning to watch trapped in the closet.

Jay Ray:

I've never seen.

Jay Ray:

Any of them except of except if i've caught a clip, but it's been very few

Jay Ray:

and far between Literally r kelly does not trend in my algorithm really so

Jay Ray:

I don't really see a lot of r kelly stuff But so i've never seen them.

Jay Ray:

So sir.

Jay Ray:

Daniel and I are probably going to get together And we want to invite you and

Jay Ray:

for those of y'all that came to our live show Let them know how crunk it is

Jay Ray:

when you come and hang out with Queue Points Outside of here because we really

Jay Ray:

get to we really get to talk mess Um, but I want to watch the trapped in the

Jay Ray:

closet with sir Daniel and we might as well invite all of y'all because y'all

Jay Ray:

will want to watch it too We should all watch it together like a family.

Jay Ray:

I want to see trapped in the closet

Jay Ray:

DJ Sir Daniel: I see Shaniqua in the chat on IG.

Jay Ray:

Shaniqua and I were working at the, um, at HMV Record Store during the height of R.

Jay Ray:

Kelly's superpowers.

Jay Ray:

So we saw plenty of those CDs walking out of the store because he,

Jay Ray:

I don't know, he, I really believe whatever magic is associated with the

Jay Ray:

mythology of the, um, the Pied Piper.

Jay Ray:

Him him linking himself to that mythology of the Pied Piper was Was very smart on

Jay Ray:

his point on his part because he really did that there was just something and

Jay Ray:

this could be said about cult leaders You know, there was something that was

Jay Ray:

very Magnetic about him and the things that he was doing that people just ate up

Jay Ray:

I think I think okay.

Jay Ray:

So this is the perfect timing to talk about the pop music formula.

Jay Ray:

Yes, I think this is the perfect timing.

Jay Ray:

So I'm actually going to pull in there was a study that came out this year.

Jay Ray:

Hold on.

Jay Ray:

I'm gonna put the screen share back up.

Jay Ray:

There was a study that came out this year.

Jay Ray:

This is not the study.

Jay Ray:

This is scientific scientific American did kind of a recap of it.

Jay Ray:

So I'm gonna read a couple of pieces of this 'cause I think it's really important.

Jay Ray:

So, when comparing today's hit tunes with the top 40 of the past decades, strong

Jay Ray:

opinions are never in short supply.

Jay Ray:

Every generation seems to lament its successors, musical tastes, and

Jay Ray:

listening, listening habits, right?

Jay Ray:

We, we get into the habit of doing that.

Jay Ray:

What it's saying though is new research suggests.

Jay Ray:

Popular music has indeed undergone some measurable and significant shifts

Jay Ray:

over the past 50 years, with popular song lyrics becoming simpler, And more

Jay Ray:

repetitive, according to a study published on Thursday in Scientific Reports.

Jay Ray:

Here's a quick quote.

Jay Ray:

There's more rhyming lines and also more chorus, says the study's senior author,

Jay Ray:

Eva Zangarelli, a computer scientist at Austria's University of Innsbruck.

Jay Ray:

We basically found that lyrics have gotten easier to comprehend.

Jay Ray:

This trend observed across five of the most popular English language music

Jay Ray:

genres, including rap rock R& B and country since 1970 hints at how shifts

Jay Ray:

in music listening habits Platforms and production may be shaping pop culture.

Jay Ray:

Here's why I wanted to mention this Because that's the thing that R.

Jay Ray:

Kelly figured out.

Jay Ray:

Yes,

Jay Ray:

DJ Sir Daniel: so Sir,

Jay Ray:

sir, Daniel and I before as we were kind of preparing for this show

Jay Ray:

Um Um pulled the lyrics to you are not alone, which I always thought was just

Jay Ray:

like a beautiful song and then i'm like Oh, this song only has like two

Jay Ray:

two verses like the song is all verse.

Jay Ray:

That's it It's like some lyrics, but the lyrics are real pedestrian.

Jay Ray:

Like there's like a verse.

Jay Ray:

Let me pull up.

Jay Ray:

I'm pulling it up.

Jay Ray:

Please do you are not alone.

Jay Ray:

We are going to read the lyrics to you are not alone together and you will understand

Jay Ray:

exactly what we're talking about here.

Jay Ray:

DJ Sir Daniel: Program directors all that what they're looking

Jay Ray:

for is there they they need what we're talking about that era.

Jay Ray:

What was attractive to a program director is whether the song was going to keep

Jay Ray:

people tuned into their radio station.

Jay Ray:

Um, for the amount of time that the song was on so that they could sell

Jay Ray:

you stuff after the song was played.

Jay Ray:

Yep, and then and then they will program it so it can be played

Jay Ray:

again long enough so you can stay.

Jay Ray:

And listen to, for the song to be played again so they can sell you more stuff.

Jay Ray:

That's why it's called programming.

Jay Ray:

And so the music had to fit into that in order for them to sell more stuff,

Jay Ray:

they had to have so short enough to play put in rotation so they can have more

Jay Ray:

commercials put in to sell you stuff.

Jay Ray:

And so, as we see here, go ahead with the, I'm going to

Jay Ray:

just, I want people to understand.

Jay Ray:

All right.

Jay Ray:

So.

Jay Ray:

This is You Are Not Alone.

Jay Ray:

When you go through and you read the lyrics, I'm just

Jay Ray:

going to read the first verse.

Jay Ray:

Another day has gone.

Jay Ray:

I'm still all alone.

Jay Ray:

How could this be?

Jay Ray:

You are not here with me.

Jay Ray:

You never said goodbye.

Jay Ray:

Someone tell me why did you have to go and leave my world so cold?

Jay Ray:

And then, We go and we slip into the, the, the, the, uh, the chorus every day.

Jay Ray:

I sit and ask myself how they love sip away.

Jay Ray:

Something whispers in my ears and says, you are not alone.

Jay Ray:

And then we go through the, you're a lot alone, lone, lone.

Jay Ray:

Then we have.

Jay Ray:

A verse which makes sense.

Jay Ray:

We got a second verse.

Jay Ray:

Okay, cool So then we do a little bit of that.

Jay Ray:

All right, that's the second verse I'm not gonna read it all the way through Okay,

Jay Ray:

then we hop back into that chorus, right?

Jay Ray:

Then we're gonna give you a little A little bit we're gonna give you

Jay Ray:

like a vamp then we're gonna hop right back into that chorus, right?

Jay Ray:

And we just ride that course out for the rest of the song, right?

Jay Ray:

Now

Jay Ray:

DJ Sir Daniel: michael jackson do what michael jackson michael jackson

Jay Ray:

does right now This is not i'm not saying that this is unlike other

Jay Ray:

songs that other songs don't have similar structures That's not what i'm saying.

Jay Ray:

What i'm saying is r kelly very early figured out that I only

Jay Ray:

need to give them a little bit.

Jay Ray:

I need to give them a I don't need to overthink these

Jay Ray:

verses I need to make them.

Jay Ray:

I need to make them clear and concise Give them some hot vamps

Jay Ray:

and a great hook and a great chorus.

Jay Ray:

And we're going to ride that thing out four minutes.

Jay Ray:

DJ Sir Daniel: And less than that, and shout out to Shaniqua to, um, bringing

Jay Ray:

up Mariah Carey and her 5 words.

Jay Ray:

Yes.

Jay Ray:

I love a good Mariah Carey, 5 word.

Jay Ray:

I love the fact that she could put, she could fit incessantly.

Jay Ray:

Into a song lyric, I'm all for it, but even Mariah Carey, you know, she,

Jay Ray:

she's going to give you a thoughtful lyric, but all artists after a while,

Jay Ray:

they figured out, Oh, we've got to, in order for our songs to make it.

Jay Ray:

To um, to airplay, we've gotta, we've gotta um, make it concise.

Jay Ray:

We've gotta dumb it down a little bit and even take out bridges.

Jay Ray:

And that's what a lot of people are complaining about now is that

Jay Ray:

songs don't have bridges anymore.

Jay Ray:

I want a bridge!

Jay Ray:

Listen, we need to campaign.

Jay Ray:

Queue Points has always been campaigning for the bridge.

Jay Ray:

Bring back the bridge.

Jay Ray:

We want to understand the song.

Jay Ray:

We need time to get into this thing.

Jay Ray:

So baby, I need you to bridge me and to tell me what we need to know.

Jay Ray:

DJ Sir Daniel: That's why here at Queue Points, we always speak Michelle

Jay Ray:

Williams, the black Michelle Williams.

Jay Ray:

We always speak her name because she is the queen of bridge.

Jay Ray:

You know, Beyonce

Jay Ray:

was in the studio.

Jay Ray:

Michelle, Go in and do your thing.

Jay Ray:

Go and handle

Jay Ray:

DJ Sir Daniel: that.

Jay Ray:

Go and handle that for me.

Jay Ray:

Okay, but I do want to, the beauty, I'm so glad you mentioned Mariah.

Jay Ray:

We also, Laura Hill put the word reciprocity into a song.

Jay Ray:

DJ Sir Daniel: Reciprocity.

Jay Ray:

Stop it now.

Jay Ray:

Stop it.

Jay Ray:

I'm just I'm just

Jay Ray:

That's a five syllable word

Jay Ray:

DJ Sir Daniel: that you

Jay Ray:

have to

Jay Ray:

DJ Sir Daniel: sing real quick.

Jay Ray:

Jay Ray are we haven't chatted with our buddy in a long time, but Daryl.

Jay Ray:

Darryl is in the chat on Instagram.

Jay Ray:

We gotta shout out our friend Darryl.

Jay Ray:

We, we are praying for you out there on the West Coast.

Jay Ray:

I hope you're all good.

Jay Ray:

I saw you post earlier that you're good and I want to make sure that

Jay Ray:

you're still staying good out there.

Jay Ray:

And we, you know, we're thinking about you and the whole West and the

Jay Ray:

whole Los Angeles in this moment.

Jay Ray:

Yes.

Jay Ray:

So y'all and you know, it's so funny.

Jay Ray:

So Instagram is over here.

Jay Ray:

So I can't even read like what's happening I see y'all is popping

Jay Ray:

over on IG But yes, and I see it.

Jay Ray:

Everybody is like yo to the bridge bring bridges back We playing with these

Jay Ray:

people by not giving them a bridge so that we can really get into these songs.

Jay Ray:

Okay and so R.

Jay Ray:

Kelly back to R.

Jay Ray:

Kelly is Has R.

Jay Ray:

Kelly proven himself over the years to be Um, he's a good crafter of songs.

Jay Ray:

You know what I'm saying?

Jay Ray:

It's undeniable like you can't even undeny that we are not talking about

Jay Ray:

R Kelly the person and all that other stuff that we absolutely disagree with.

Jay Ray:

We have been very clear about where we stand on that stuff

Jay Ray:

with him as a songwriter.

Jay Ray:

We get it.

Jay Ray:

We get that.

Jay Ray:

Is he the greatest American songwriter ahead of a head of

Jay Ray:

like Smokey Robinson ahead of?

Jay Ray:

I.

Jay Ray:

There are so many I cut carol king a pair There are so many songwriters

Jay Ray:

DJ Sir Daniel: so many and I think Yes.

Jay Ray:

Okay.

Jay Ray:

So here's the thing.

Jay Ray:

We understand that people get on x or twitter And they talk greasy they

Jay Ray:

hot takes or call hot takes just for that Sometimes you just throw it

Jay Ray:

out there just to get people riled up and this and the that twitter

Jay Ray:

user did just that With his 3.

Jay Ray:

5 million views on this one tweet But I think, so here's a question.

Jay Ray:

If R.

Jay Ray:

Kelly never got into trouble or never, or his, um, antics never got brought into

Jay Ray:

the light, do you think in a few years, J.

Jay Ray:

Ray, that we could have possibly seen R.

Jay Ray:

Kelly inducted into like a Kennedy Honors as a, um, American songwriter,

Jay Ray:

like alongside the likes of Carole King and, you know, Aretha

Jay Ray:

Franklin and, and those people?

Jay Ray:

I, I don't actually, I don't, I don't, and not because I think he,

Jay Ray:

those spaces, I think you have to have more cachet in white world.

Jay Ray:

Not to say that white people didn't love R.

Jay Ray:

Kelly too, because white people definitely did.

Jay Ray:

You can't sell as many records as he did.

Jay Ray:

And I have white people loving you too.

Jay Ray:

But I do think Our Kelly was much more of a black famous star and he

Jay Ray:

would have gotten whatever accolades in black culture that we would have

Jay Ray:

given him at the highest level.

Jay Ray:

Our Kelly would have definitely gotten those awards.

Jay Ray:

I don't think you can write the lyrics that are make the

Jay Ray:

songs that are Kelly made.

Jay Ray:

I don't think you can make like an ignition and get like a Kennedy honor.

Jay Ray:

DJ Sir Daniel: This is not going to happen, right?

Jay Ray:

Yeah, I mean,

Jay Ray:

correct me if I'm wrong, y'all.

Jay Ray:

Let me know in the chat, like IG.

Jay Ray:

I mean, can.

Jay Ray:

Can you, can you

Jay Ray:

DJ Sir Daniel: do your, yes, you all there in the IG chat, all, all of the chats.

Jay Ray:

Can you see R.

Jay Ray:

Kelly if he hadn't, if all of that stuff had not come into the, into the light.

Jay Ray:

Could R.

Jay Ray:

Kelly have been inducted into like the Kennedy honors as a American of the great,

Jay Ray:

one of the greatest American songwriters.

Jay Ray:

Now to your point, Jay Ray, I do think he was knocking on becoming white

Jay Ray:

people famous when he did, when he made a duet with That duet with, um, Lady

Jay Ray:

Gaga, Lady Gaga, and I'm going to tell you, I thoroughly enjoyed that song.

Jay Ray:

What was it?

Jay Ray:

Do what you want to my body.

Jay Ray:

Do what you want with my body.

Jay Ray:

DJ Sir Daniel: Which in retrospect, you know.

Jay Ray:

It's a

Jay Ray:

whole mess.

Jay Ray:

DJ Sir Daniel: It's a whole mess.

Jay Ray:

But I, listen.

Jay Ray:

That thing I used to that I used to bump that that R.

Jay Ray:

Kelly and Lady Gaga something serious I even made my own my own mashup.

Jay Ray:

Did you?

Jay Ray:

did.

Jay Ray:

I

Jay Ray:

want to hear your mashup of do what you want

Jay Ray:

DJ Sir Daniel: Is do what you want the the acapella?

Jay Ray:

Well, I made I did filtered out my own acapella and um And partnered it

Jay Ray:

with the, the yin yang twins whisper.

Jay Ray:

That is an appropriate combination.

Jay Ray:

DJ Sir Daniel: Oh, yes, absolutely.

Jay Ray:

So check this.

Jay Ray:

Look at the, look at the chat.

Jay Ray:

Let's talk about what the people are saying.

Jay Ray:

Yeah.

Jay Ray:

Yeah.

Jay Ray:

No.

Jay Ray:

So the people are like, nah, son.

Jay Ray:

DJ Sir Daniel: Yeah, it looks like a big, a big fat.

Jay Ray:

No.

Jay Ray:

So I don't know.

Jay Ray:

Maybe it's just the people that watch that watch and listen to this podcast.

Jay Ray:

So they're just like, not going to happen.

Jay Ray:

Or there are, but there's a segment.

Jay Ray:

We cannot ignore that segment of the community that is not letting go.

Jay Ray:

Of R Kelly.

Jay Ray:

It's like that picture of black Jesus and JFK in every black home

Jay Ray:

in the sixties and seventies.

Jay Ray:

Some black people just aren't going to let it go.

Jay Ray:

They are not going to let, let go of that picture of Martin Jay,

Jay Ray:

JFK and black Jesus in their home.

Jay Ray:

They're just not going to let it go.

Jay Ray:

Despite everything that has come to light.

Jay Ray:

I think we are far enough removed from.

Jay Ray:

R.

Jay Ray:

Kelly's imprisonment.

Jay Ray:

That folks.

Jay Ray:

I think these are all personal decisions.

Jay Ray:

You know what?

Jay Ray:

This is a personal decisions.

Jay Ray:

Jay Ray has long decided to not be an R Kelly fan.

Jay Ray:

So I don't got I don't got nothing.

Jay Ray:

I'm always weird.

Jay Ray:

When an R Kelly song that was the R Kelly and Jay Fiesta came on and on the

Jay Ray:

radio the other day and I'm like, oh, we're playing songs with R Kelly in it.

Jay Ray:

Now, is that what we're doing?

Jay Ray:

I don't like it.

Jay Ray:

DJ Sir Daniel: And I think, you know, I'm one of those DJs where

Jay Ray:

I'm not, I'm just going to be controversial to be controversial.

Jay Ray:

I am going to put on this R Kelly song and I dare one of y'all

Jay Ray:

to come say something to me.

Jay Ray:

That's not that that's not my bag.

Jay Ray:

I there's plenty of music around that.

Jay Ray:

I can play old and new.

Jay Ray:

in a set.

Jay Ray:

I don't have to make that a part of my repertoire.

Jay Ray:

Why?

Jay Ray:

Because it just has an ick factor to it to me.

Jay Ray:

You said something earlier that I think is really important.

Jay Ray:

People have to decide what hills they want to like make their thing.

Jay Ray:

This R.

Jay Ray:

Kelly thing is not worth it to me.

Jay Ray:

First of all, The despicable things that that man has done.

Jay Ray:

I don't even want that type of energy, even though I don't know.

Jay Ray:

No R Kelly.

Jay Ray:

I never met.

Jay Ray:

No R Kelly.

Jay Ray:

I don't want that kind of energy.

Jay Ray:

Nowhere near me, even though it's just coming through the speaker.

Jay Ray:

I don't want none of it.

Jay Ray:

I don't want none of it near me.

Jay Ray:

And so I do think.

Jay Ray:

That people get to make choices about we decided to have this

Jay Ray:

conversation because we were very confused about somebody saying that R.

Jay Ray:

Kelly was the greatest American songwriter.

Jay Ray:

I mean ever ever that's wild.

Jay Ray:

That is a wild statement to make.

Jay Ray:

That's the reason why we wanted to have this discussion.

Jay Ray:

I if it was not this conversation, if we do, if we did not see that tweet, we

Jay Ray:

probably wouldn't be talking about R.

Jay Ray:

Kelly.

Jay Ray:

DJ Sir Daniel: Yeah, so Nick, Nick fresh, just use the, uh, a quote on

Jay Ray:

the timeline saying called, um, the people that are keeping like R Kelly

Jay Ray:

alive, like, is there still their theme?

Jay Ray:

Theme music are like the hotel uncles and he's, and this is a segment of, of

Jay Ray:

black men that specifically feel like R.

Jay Ray:

Kelly is a victim of a system trying to take him out systematically

Jay Ray:

because he is a black man and R.

Jay Ray:

Kelly was about to buy Jive Records

Jay Ray:

and

Jay Ray:

DJ Sir Daniel: he wasn't, well, he, but he, he's, he was, he, he's a victim

Jay Ray:

of systematic racism, which is not.

Jay Ray:

Which is not far.

Jay Ray:

He's a victim of a very bad educational system.

Jay Ray:

He's a victim of a lot of child abuse,

Jay Ray:

child abuse and assault and all

Jay Ray:

DJ Sir Daniel: of those things.

Jay Ray:

That man has been victimized throughout his whole life.

Jay Ray:

And what and what do victims do?

Jay Ray:

They tend to victimize other people.

Jay Ray:

That's not always in R.

Jay Ray:

Kelly's case.

Jay Ray:

This is what happened.

Jay Ray:

You're absolutely right.

Jay Ray:

Now, trying to Put him up on nail him to a cross and make him

Jay Ray:

and make him the savior of R& B.

Jay Ray:

You know, again, like Jay Ray said, if that's the hill you want to die

Jay Ray:

on, if that's the, if that's the, the, the road to Calvary for you,

Jay Ray:

that's what you want to carry on your back by all means do that.

Jay Ray:

But I, but back to the topic, back to the topic, I

Jay Ray:

want to share something.

Jay Ray:

This is the man That y'all want to raise up.

Jay Ray:

This is him.

Jay Ray:

Here's what he said.

Jay Ray:

Here's what he said.

Jay Ray:

You remind me of my Jeep.

Jay Ray:

I want to ride it.

Jay Ray:

Something like my sound.

Jay Ray:

I want to pump it girl.

Jay Ray:

You look just like my cars.

Jay Ray:

I want to wax it.

Jay Ray:

What?

Jay Ray:

And something like my bank accounts.

Jay Ray:

I want to spend it.

Jay Ray:

And he repeated it.

Jay Ray:

Okay.

Jay Ray:

This, this is not worth it.

Jay Ray:

It's not worth it.

Jay Ray:

I don't

Jay Ray:

DJ Sir Daniel: know.

Jay Ray:

I don't know.

Jay Ray:

I don't think this is, but I don't think this is an episode where we're

Jay Ray:

definitively trying to say that R Kelly can't be the greatest American

Jay Ray:

songwriter because clearly there's a lot of people who still ride for him.

Jay Ray:

I'm saying that , but what we're saying over here, as for me and my house, as

Jay Ray:

for me about house, it's not flying.

Jay Ray:

No, that's the bull.

Jay Ray:

That's cap.

Jay Ray:

And that kids, what

Jay Ray:

they say, that's cat.

Jay Ray:

That's the young people

Jay Ray:

DJ Sir Daniel: say it's cap.

Jay Ray:

That's not, that's cap.

Jay Ray:

It's a skull.

Jay Ray:

Scully.

Jay Ray:

It's a hoodie.

Jay Ray:

It's all of the things.

Jay Ray:

It's not the truth over here, . So I don't know.

Jay Ray:

Try again.

Jay Ray:

Try

Jay Ray:

again.

Jay Ray:

DJ Sir Daniel: I mean, you got, Oh, no, I don't.

Jay Ray:

I almost brought up another name, but I don't want to go off into that tangent

Jay Ray:

because he's definitely a son of R Kelly.

Jay Ray:

And I'm not going to, I'm not going to bring that up.

Jay Ray:

Do we

Jay Ray:

want, who?

Jay Ray:

Who?

Jay Ray:

DJ Sir Daniel: Maybe this should be like a, a paper.

Jay Ray:

Should this be a Patriot conversation?

Jay Ray:

I don't know what I'm now.

Jay Ray:

Oh, I mean, we could do that.

Jay Ray:

Y'all want to come and hang out with us again.

Jay Ray:

Well, apparently we got to have another conversation.

Jay Ray:

I don't even know who's there.

Jay Ray:

Daniel's about to mention.

Jay Ray:

I do not know this

Jay Ray:

DJ Sir Daniel: person was on the verge of being in trouble

Jay Ray:

also, but that quietly went away.

Jay Ray:

That's all I'm going to say.

Jay Ray:

Okay.

Jay Ray:

DJ Sir Daniel: That accusation came and went and went quietly away.

Jay Ray:

Okay.

Jay Ray:

Okay.

Jay Ray:

These are, these are things more to come.

Jay Ray:

So here's what y'all need to do.

Jay Ray:

Here's what y'all need to do to stay up.

Jay Ray:

You see what just happened?

Jay Ray:

There's like a cliffhanger.

Jay Ray:

So Please y'all.

Jay Ray:

Thank y'all so much For I see the chat It is going crazy on ig and I love it Y'all

Jay Ray:

thank y'all so much for rocking with us.

Jay Ray:

We appreciate it.

Jay Ray:

It is a new year um, if you Subscribe to Queue Points.

Jay Ray:

You will notice that we do have new artwork.

Jay Ray:

DJ Sir Daniel: Yeah, you know what?

Jay Ray:

We got to post it on our IG.

Jay Ray:

We got to

Jay Ray:

post it on our IG because we haven't done that yet, but we have a

Jay Ray:

new artwork done by James Dillenbeck.

Jay Ray:

Thank you so much, James, for that.

Jay Ray:

And we're kicking off.

Jay Ray:

You don't see we have a new look.

Jay Ray:

We got a look.

Jay Ray:

Here, you know, we doing some things, you know, moving and shaking So thank

Jay Ray:

you all so much for just rocking with us We really appreciate it.

Jay Ray:

If you can see our faces or hear our voices, please subscribe wherever you

Jay Ray:

are I want to do a quick shout out tree was over and I don't a tree what's

Jay Ray:

happening You say a good evening and we want to make sure that we acknowledge

Jay Ray:

you um over on youtube, but Thank you.

Jay Ray:

Subscribe wherever you are.

Jay Ray:

Visit our website at Queue Points.

Jay Ray:

com.

Jay Ray:

You can check out our blog.

Jay Ray:

You can listen to all of our old episodes of Queue Points and

Jay Ray:

you can shop our store at store.

Jay Ray:

Queue Points.

Jay Ray:

com.

Jay Ray:

We love y'all.

Jay Ray:

We appreciate y'all.

Jay Ray:

DJ Sir Daniel: We sure do.

Jay Ray:

And Jay Ray, what do I say at the end of every episode?

Jay Ray:

My, my eyes.

Jay Ray:

And let me stop this life.

Jay Ray:

You have a choice.

Jay Ray:

You can either pick up the needle or you can let the record play.

Jay Ray:

I'm DJ Sir Daniel.

Jay Ray:

My name is Jay Ray, y'all.

Jay Ray:

And this is Queue Points podcast, dropping the needle on black music history.

Jay Ray:

We will see you all in the next go round.

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About the Podcast

Queue Points
Queue Points is the Black Podcasting Award and Ambie Award nominated music podcast that is dropping the needle on Black Music history and celebrating Black music through meaningful dialogue. The show is hosted by DJ Sir Daniel and Jay Ray. Visit https://queuepoints.com to learn more.
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About your hosts

DJ Sir Daniel

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DJ Sir Daniel is a DJ/Selector and part of Atlanta's, all-vinyl crew, Wax Fundamentals. Co-host of the Queue Points podcast, he is an advocate for DJ culture and is passionate about creating atmospheres of inclusivity and jubilation from a Black perspective.

Jay Ray

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Johnnie Ray Kornegay III (Jay Ray) is a podcast consultant and co-host and producer of Queue Points, the Ambie Award-nominated podcast that drops the needle on Black music history. In addition to his duties at Queue Points, he is the Deputy Director of Strategy and Impact for CNP (Counter Narrative Project). A photographer, creative consultant and social commentator, Jay Ray's work is centered around a commitment to telling full and honest stories about communities often ignored.