Episode 168

In My Mind: The Temptations' 'Silent Night' - One Song, Two Versions

Published on: 17th December, 2024

In this special holiday episode of Queue Points, DJ Sir Daniel and Jay Ray unwrap a soulful gem deeply rooted in Black music history: The Temptations' iconic "Silent Night." Often referred to as "In My Mind," this timeless classic bridges generations during the holidays. But did you know there are two versions of this beloved tune, recorded a decade apart?

Join the hosts as they uncover the story behind both renditions of "Silent Night", the evolution of The Temptations, and why this song resonates so profoundly in Black culture. From the power of Black male vocal harmony to the enduring legacy of group unity, DJ Sir Daniel and Jay Ray break it down with their signature mix of knowledge, humor, and heart.

If you love Black music, vocal groups, and holiday nostalgia, this episode is your invitation to sing along, learn something new, and appreciate the art of timeless music.

Links to Content Referenced in This Episode

Chapters

00:00 Intro Theme

00:16 Welcome to Queue Points Podcast

01:14 The Temptations' Holiday Classic

02:20 The Two Versions of 'Silent Night'

08:14 The Impact of Black Male Voices

12:17 The Importance of Group Harmony

16:35 Closing Remarks and Subscription Info

18:32 Outro Theme

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#BlackMusic #SoulMusic #TheTemptations #ChristmasMusic #MusicHistory #BlackCulture #ClassicRnB

Mentioned in this episode:

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Transcript
Speaker:

DJ Sir Daniel: Greetings and welcome to another episode of Queue Points podcast.

Speaker:

I am DJ Sir Daniel.

Jay Ray:

And my name is Jay Ray, sometimes known by my government as Johnnie Ray

Jay Ray:

Kornegay, the third and Sir Daniel.

Jay Ray:

I think we're about to blow some minds

Jay Ray:

DJ Sir Daniel: today.

Jay Ray:

Listen, we wouldn't be Queue Points unless we dropped a little gem in your

Jay Ray:

Christmas stockings like we always do.

Jay Ray:

So check this out.

Jay Ray:

The holidays are in full effect.

Jay Ray:

And Jay Ray, we've actually uncovered this gem a while ago, a couple, and it's in one

Jay Ray:

of our, um, Tick tocks or what is that?

Jay Ray:

But yeah, in one of our tick tocks and one of our sizzle reels, but we thought

Jay Ray:

it would be very interesting to bring this back as a matter of fact, when you

Jay Ray:

get finished watching this episode, we want you to go and check out our "Carols

Jay Ray:

and Culture" episode in the archives.

Jay Ray:

If you're subscribed, you know how to find it.

Jay Ray:

If you're not subscribed, do that now.

Jay Ray:

Yes.

Jay Ray:

DJ Sir Daniel: Ray, I want you to have the honor of informing our audience of

Jay Ray:

this little known fact about a soulful Christmas classic by The Temptations.

Jay Ray:

Oh, Sir Daniel.

Jay Ray:

In Black households,

Jay Ray:

DJ Sir Daniel: hmm.

Jay Ray:

Yes.

Jay Ray:

are certain songs that represent the holiday season, and And as Black

Jay Ray:

folks, we will name a song, something that is not named and we refer, and many people

Jay Ray:

will refer to this song as in my mind,

Jay Ray:

DJ Sir Daniel: The In My Mind song.

Jay Ray:

Yep.

Jay Ray:

my mind song, that is not the title of the song.

Jay Ray:

The song is actually "Silent Night".

Jay Ray:

It is the temptations version of "Silent Night" and in Black

Jay Ray:

households during the holidays.

Jay Ray:

And on radio, you will hear this song ad nauseum, it is beautiful.

Jay Ray:

It's the temptations.

Jay Ray:

It represents the holiday and it represents Black culture.

Jay Ray:

Sir Daniel, there are two versions of "Silent Night" by the temptations

Jay Ray:

that were recorded in two completely different eras of the temptations career.

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And the one that we know the most.

Jay Ray:

Is the second version.

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DJ Sir Daniel: Ain't that something?

Jay Ray:

Now tell us, when was the first one recorded?

Jay Ray:

I am so glad you asked this Sir Daniel.

Jay Ray:

So here's how we stumbled onto this fact y'all.

Jay Ray:

So Sir Daniel just mentioned, go listen to the carols and culture episode.

Jay Ray:

did this episode called carols and culture because we wanted to talk about the

Jay Ray:

impact of Black Christmas music, right?

Jay Ray:

And so we use this article, the best Black Christmas albums of

Jay Ray:

all time ranked, it included.

Jay Ray:

"The Temptations Christmas Card", which for us was just like, Oh,

Jay Ray:

"The Temptations Christmas Card".

Jay Ray:

It has "Silent Night" on it.

Jay Ray:

That album ranked number two.

Jay Ray:

on that chart.

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We thought nothing of it.

Jay Ray:

One day we decided to play "The Temptations Christmas Card" and that

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is the moment that we figured out,

Jay Ray:

DJ Sir Daniel: Wait a minute.

Jay Ray:

This ain't it.

Jay Ray:

This ain't it.

Jay Ray:

DJ Sir Daniel: What is this?

Jay Ray:

Okay.

Jay Ray:

Temptations had many lineups, so this is the third version.

Jay Ray:

Um, Dennis Edwards, Melvin Franklin, Eddie Kendricks, Paul Williams, and

Jay Ray:

Otis Williams was in this version of The Temptations at the time.

Jay Ray:

This song,

Jay Ray:

uh, was actually done or sang live by Eddie Kendricks.

Jay Ray:

So Eddie Kendricks sings the 1970 version of "Silent Night" from

Jay Ray:

"The Temptations Christmas Card".

Jay Ray:

This song was, um, produced by Barrett Strong And Clay McMurray and what

Jay Ray:

the, what the, uh, Temptations were doing at the time is they were kind

Jay Ray:

of infusing like a little seventies funk into some Christmas stuff

Jay Ray:

and really became like their first kind of foray into holiday music.

Jay Ray:

This is not the version of the song that most people know.

Jay Ray:

of the song that most people know was recorded in 1980.

Jay Ray:

So this is the version of the Temptations.

Jay Ray:

This version of the Temptations.

Jay Ray:

still Dennis Edwards, but it was Dennis Edwards, Melvin Franklin, Richard

Jay Ray:

Street, Glenn Leonard, and Otis Williams.

Jay Ray:

Otis is in every version of The Temptations.

Jay Ray:

Um, so, but 1980 was, this was "Give Love At Christmas", and, uh, this album was

Jay Ray:

produced by Gil Askey, uh, Gil Askey, and it was like a smooth jazz R& B, version

Jay Ray:

of, uh, the Christmas album by the temps.

Jay Ray:

they had this version of the little drummer boy on there, which is actually

Jay Ray:

the version of the little drummer boy that most people know as well.

Jay Ray:

It's kind of like a funky groove and also includes the timeless

Jay Ray:

temptations version, which we lovingly refer to as "Silent Night".

Jay Ray:

In my mind.

Jay Ray:

DJ Sir Daniel: In my mind.

Jay Ray:

No.

Jay Ray:

You know, I've been to several Christmas parties in the past where,

Jay Ray:

you know, after a site of, I think it was, it was, it was a cowboy.

Jay Ray:

If I believe it was DJ cowboy with love after we've, you know, getting

Jay Ray:

people up into a sweat would drop, um, "Silent Night" just to break it up in

Jay Ray:

the middle of the set and it turned into this huge, huge sing along and

Jay Ray:

you know, that moment of in my mind.

Jay Ray:

It was like, I don't care where you go, where you put Black people.

Jay Ray:

There's going to be a moment when we get to, we could become

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a unified choir and we are all going to sing in unison in my mind.

Jay Ray:

And it's one of the most glorious things that you can ever witness.

Jay Ray:

And if you're a DJ out there listening to this, try it, drop it, drop it

Jay Ray:

in the set and see what happens.

Jay Ray:

If you clear out the floor.

Jay Ray:

Don't blame me, but go ahead and let us know what happens.

Jay Ray:

Um, and also what I find very interesting about this, um, this version and what

Jay Ray:

the temptations were very skillful at doing was marrying a falsetto

Jay Ray:

hmm.

Jay Ray:

Oh yeah,

Jay Ray:

DJ Sir Daniel: And,

Jay Ray:

Silence.

Jay Ray:

DJ Sir Daniel: male groups to come along and give us an offering.

Jay Ray:

Of a Christmas classic.

Jay Ray:

And yeah, yeah.

Jay Ray:

Cause I don't think has Jodeci ever done any Christmas classics?

Jay Ray:

Not that I can think of.

Jay Ray:

Not that I can think of.

Jay Ray:

Definitely let us know, folks.

Jay Ray:

And Sir Daniel, I'm wondering your thoughts, because you mentioned

Jay Ray:

something that I think is really important that is missing today.

Jay Ray:

And we also included this.

Jay Ray:

So if you follow, um, Queue PointsMag, talk about this.

Jay Ray:

I think theory, DJ Sir Daniel normally has the theories, but I have a Jay Ray

Jay Ray:

DJ Sir Daniel: It's Jay Ray's time.

Jay Ray:

Yes.

Jay Ray:

I think that one of the reasons this song endures is because

Jay Ray:

of the distinction of the Black male voice is very clear on this song,

Jay Ray:

DJ Sir Daniel: Yes.

Jay Ray:

So,

Jay Ray:

DJ Sir Daniel: The range.

Jay Ray:

Yes.

Jay Ray:

Mm hmm.

Jay Ray:

Hmm.

Jay Ray:

which is a gravelly, you've got an Otis Williams in the, in the,

Jay Ray:

in the bottom, you know what I mean?

Jay Ray:

so there's this very clear range of voices, but it's all anchored

Jay Ray:

by this distinctly deep male voice that we do not hear music and

Jay Ray:

pop culture pretty much anymore.

Jay Ray:

Right?

Jay Ray:

so I'm also thinking that the reason why this song indoors, um,

Jay Ray:

so much is it also represents, um, that connection to that sound.

Jay Ray:

Of voices which we just don't get because one we don't even have a

Jay Ray:

lot of vocal groups anymore The temptations were a proper vocal group

Jay Ray:

DJ Sir Daniel: days.

Jay Ray:

Not in groups.

Jay Ray:

And just to, so Jodeci does not have a Christmas album.

Jay Ray:

However, like Casey and Jojo have a few like Christmas or holiday

Jay Ray:

offerings on their solo projects.

Jay Ray:

And I'm pretty certain maybe a gospel project here or there, but as

Jay Ray:

far as the male groups of concern.

Jay Ray:

Yeah, we don't have that anymore.

Jay Ray:

I think, and we've discussed this.

Jay Ray:

We have a couple of episodes where we celebrate Black male voices.

Jay Ray:

Um, I think it was a series.

Jay Ray:

We talked about, uh, Teddy Pentagrass, um, Barry White, Isaac Hayes.

Jay Ray:

Make sure you go back and check out those episodes because we celebrate those

Jay Ray:

Black voices that we don't get anymore.

Jay Ray:

Uh, we talked about Maxwell who, uh, And himself can, has been able to do both.

Jay Ray:

Yeah.

Jay Ray:

DJ Sir Daniel: will give you a falsetto and then he'll go down in the

Jay Ray:

basement and give you something else.

Jay Ray:

So there's a range and maybe it's a reflection of, Oh God, I don't want

Jay Ray:

to sound, start sounding like one of those podcasts about, well, you know,

Jay Ray:

Black men nowadays, or, you know, I think it might be a reflection of what

Jay Ray:

people are attempting to be, what people feel like, um, Their performances of

Jay Ray:

masculinity need to be these days.

Jay Ray:

Um, and it also reflects the lack of groups, maybe reflect the fact that

Jay Ray:

people don't, there's not a lot of unison anymore, or the idea of doing

Jay Ray:

things together as a team might be part, you know, just, just theories.

Jay Ray:

You know, we good for a good conspiracy theory here on Queue Points, but it

Jay Ray:

might just be a reflection of the time.

Jay Ray:

And that's why we're not seeing a whole lot.

Jay Ray:

Of male groups like that anymore, you know, one year, of course, a voice to

Jay Ray:

men, his sons have formed a super group.

Jay Ray:

So we'll see what happens with them.

Jay Ray:

They've been working on music for a while now, and they sound amazing.

Jay Ray:

They definitely earned it from their dad.

Jay Ray:

And so, um, I don't know, we'll see.

Jay Ray:

Maybe it will change within the next couple of years.

Jay Ray:

So Daniel, I think you said that's really important and the holidays,

Jay Ray:

I think the reasons why songs like this endure is they also remind us of

Jay Ray:

the importance of coming together in

Jay Ray:

DJ Sir Daniel: Mm hmm.

Jay Ray:

and groups like The Temptations, to your point,

Jay Ray:

people working together, right?

Jay Ray:

are people who do lead things in groups, right?

Jay Ray:

But the groups themselves on each other.

Jay Ray:

Um, SWV is an amazing group because those three women rely on each other.

Jay Ray:

Say what you want to say.

Jay Ray:

Miss Coco is the bomb.

Jay Ray:

Like Sir Daniel had a theory that, yo, Coco, we talk about who are the voices of

Jay Ray:

the nineties and you know, we name all of these people, but it might be Coco, right?

Jay Ray:

DJ Sir Daniel: Listen, you know, I said it that y'all can come after me.

Jay Ray:

I know we, we've deemed people, the, you know, the, the voice of the,

Jay Ray:

of the nineties and whatnot, but I really do believe that Coco is the

Jay Ray:

voice of the nineties, but let's, we'll save that for another episode.

Jay Ray:

Absolutely.

Jay Ray:

And, uh, but I think what that, what the, what we have to remember

Jay Ray:

is, and the reason why I bring that group up is because they still,

Jay Ray:

Coco still needs Lili and Taj.

Jay Ray:

DJ Sir Daniel: Totally.

Jay Ray:

a role in that group,

Jay Ray:

DJ Sir Daniel: They absolutely do.

Jay Ray:

There's this, this is an aside, but I think it's really important.

Jay Ray:

There was this, uh, there's this TikTok when they were doing week

Jay Ray:

on the Arsenio Hall show, acapella.

Jay Ray:

Taj, Coco was singing, Coco was singing down.

Jay Ray:

Um, Taj and Lili come in with that weak Arsenio falls out because all

Jay Ray:

of a sudden voices now come together you are like, Oh, I completely get

Jay Ray:

DJ Sir Daniel: Now we get why they're sisters with voices.

Jay Ray:

The temptations.

Jay Ray:

that.

Jay Ray:

DJ Sir Daniel: Yes.

Jay Ray:

And I think when we hear "Silent Night", particularly

Jay Ray:

in my mind version, the

Jay Ray:

DJ Sir Daniel: Yeah.

Jay Ray:

Agreed.

Jay Ray:

Okay.

Jay Ray:

and that's a, that's a beautiful thing.

Jay Ray:

It's in our D it's in our DNA.

Jay Ray:

that's why I think, um, that song indoors one, it's just a beautiful

Jay Ray:

rendition of "Silent Night", period.

Jay Ray:

Both versions, by the way, are really, really good.

Jay Ray:

So you should definitely go back and listen to the Christmas card version,

Jay Ray:

uh, with leads by Eddie Kendricks.

Jay Ray:

Um, check it out just so you know, but both versions of

Jay Ray:

these are unique and distinct.

Jay Ray:

And I thought that was interesting too, where you have one group, but

Jay Ray:

two versions of the same song that are miles apart from each other.

Jay Ray:

The only thing connecting them is the group themselves.

Jay Ray:

Yes.

Jay Ray:

DJ Sir Daniel: don't understand the vocal arrangements.

Jay Ray:

And we're done.

Jay Ray:

We've been diving into that a lot lately here on Queue Points, um, on that aspect,

Jay Ray:

because that's a very important aspect of creating music, creating songs so that

Jay Ray:

you can have different versions of Of the same song that will live forever and grow

Jay Ray:

the legs of a caterpillar and continue to, to crawl through our generations.

Jay Ray:

But yes, the idea though, of coming together and working is what

Jay Ray:

we're about here on Queue Points.

Jay Ray:

Um, I couldn't do the show without Jay Ray.

Jay Ray:

I think I like to think that he can do it without me, you know, right?

Jay Ray:

I could not, there is no Queue Points without,

Jay Ray:

I couldn't do it without you.

Jay Ray:

And thank you for you not being able to do it without me.

Jay Ray:

I think that's important.

Jay Ray:

That's what this also I think represents is the coming together

Jay Ray:

during this holiday season.

Jay Ray:

DJ Sir Daniel: Absolutely.

Jay Ray:

Well, we come together to create Queue Points, uh, content for

Jay Ray:

you and we enjoy doing it and we want you to find out about it.

Jay Ray:

So there's things that you need to do in order to be kept in the know.

Jay Ray:

Jay Ray, tell him right now, take your part and tell him slowly.

Jay Ray:

And while you do that, I'll.

Jay Ray:

I'm narrate behind.

Jay Ray:

No, I'm going to do the, you're going to, you're going to say your

Jay Ray:

spiel and I'm going to narrate it in, um, in the base voice after, yeah,

Jay Ray:

Well, well, thank you.

Jay Ray:

Um,

Jay Ray:

DJ Sir Daniel: go ahead.

Jay Ray:

tickled me.

Jay Ray:

So I don't know what he's going to do y'all, but, uh, thank

Jay Ray:

you all so much for joining us.

Jay Ray:

DJ Sir Daniel: We want to thank you.

Jay Ray:

if you can hear our voices, if you can see our place, our

Jay Ray:

faces, please subscribe wherever

Jay Ray:

DJ Sir Daniel: on and subscribe.

Jay Ray:

share the show with your friends, family, colleagues.

Jay Ray:

If you love Queue Points, chances are they will love Queue Points

Jay Ray:

DJ Sir Daniel: You know, you do

Jay Ray:

Please visit our website at Queue Points.

Jay Ray:

com where you can check out our newsletter.

Jay Ray:

You can check out other episodes of the show.

Jay Ray:

Um, also last but not least, you

Jay Ray:

DJ Sir Daniel: not least y'all

Jay Ray:

you can shop our store at store.

Jay Ray:

Queue Points.

Jay Ray:

DJ Sir Daniel: get you some merch,

Jay Ray:

though.

Jay Ray:

You're right.

Jay Ray:

We thank you so much.

Jay Ray:

DJ Sir Daniel: You know, I don't have no sense and y'all already

Jay Ray:

know it, but what I do know is that in this life, you have a choice.

Jay Ray:

You can either pick up the needle or you can let the record play.

Jay Ray:

I'm DJ Sir Daniel,

Jay Ray:

My name is Jay Ray, y'all.

Jay Ray:

DJ Sir Daniel: and this is Queue Points podcast, dropping the

Jay Ray:

needle on Black music history.

Jay Ray:

We will see you on the next go round.

Jay Ray:

Peace.

Jay Ray:

Peace.

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About the Podcast

Queue Points
Queue Points is the Black Podcasting Award and Ambie Award nominated music podcast that is dropping the needle on Black Music history and celebrating Black music through meaningful dialogue. The show is hosted by DJ Sir Daniel and Jay Ray. Visit https://queuepoints.com to learn more.
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About your hosts

DJ Sir Daniel

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DJ Sir Daniel is a DJ/Selector and part of Atlanta's, all-vinyl crew, Wax Fundamentals. Co-host of the Queue Points podcast, he is an advocate for DJ culture and is passionate about creating atmospheres of inclusivity and jubilation from a Black perspective.

Jay Ray

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Johnnie Ray Kornegay III (Jay Ray) is a podcast consultant and co-host and producer of Queue Points, the Ambie Award-nominated podcast that drops the needle on Black music history. In addition to his duties at Queue Points, he is the Deputy Director of Strategy and Impact for CNP (Counter Narrative Project). A photographer, creative consultant and social commentator, Jay Ray's work is centered around a commitment to telling full and honest stories about communities often ignored.